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Several landscapists are known to have made drawings and watercolour sketches from nature, but the evidence for early oil painting being done outside is limited. The Pre-Raphaelite Brotherhood made special efforts in this direction, but it was not until the introduction of ready-mixed oil paints in tubes in the 1870s, followed by the portable ...
Pinhorn Wood also travelled widely around Britain in pursuit of iconic scenes beyond his mainstay of Surrey and Sussex. From early in his career he compiled an album of his travels entitled Sketches from Nature 1869–1908. Full of dated pencil and watercolour sketches, it provides a record of many of the places to which he ventured, including ...
Although he began painting and drawing at an early age, it was only in 1912, when he was well into his thirties, that he began to paint seriously. [59] [60] His first trips to Algonquin Park inspired him to follow the lead of fellow artists in producing oil sketches of natural scenes on small, rectangular panels for easy portability while ...
Sketch for The Opening of Waterloo Bridge Seen from Whitehall Stairs, June 18th 1817: 1819 Clark Art Institute: Dedham Lock and Mill: 1820 Victoria and Albert Museum: A Boat Passing a Lock: 1826 Royal Academy of Arts: Sandbanks and a Cart and Horses on Hampstead Heath: 1820-1825 Clark Art Institute: Weymouth Bay: Bowleaze Cove and Jordon Hill ...
Archway with Trees by the Sea; Sketch for 'The Parting of Hero and Leander' 1827-28 Tate Britain, London: 59.4 x 87 Lake Nemi 1827-28 Tate Britain, London: 60.3 x 99.7 Claudian Harbour Scene: Study for 'Dido Directing the Equipment of the Fleet' 1827-28 Tate Britain, London: 60 x 93.7 Overlooking the Coast, with Classical Building 1827-28
His winter scenes are solemn and still. They are often painted plein-air, with the artist using the thin, gray light of winter to create an appropriate atmosphere and illustrate the effect of light reflected off snow. According to the art historian Hermann Beenken, Friedrich painted winter scenes in which "no man has yet set his foot".
Jungfrau, 1870, Watercolor, Gouache, and graphite on pale blue wove paper. Splendid Mountain Watercolours or Splendid Mountain Sketchbook is a collection of sketches and watercolors by John Singer Sargent (1856–1925), executed when he was fourteen years old, and on a summer excursion to Switzerland's Bernese Alps in the Berner Oberland in 1870.
The William Farquhar Collection of Natural History Drawings consists of 477 watercolour botanical drawings of plants and animals of Malacca and Singapore by unknown Chinese (probably Cantonese) artists that were commissioned between 1819 and 1823 by William Farquhar (26 February 1774 – 13 May 1839). The paintings were meant to be of ...
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