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Phulkari Dupatta, created for Kanya Aagman (Arrival of the Bride) at a traditional Punjabi wedding in the US. The craft of phulkari has undergone changes over the centuries. According to Pal (1960), the traditional method of embroidering a phulkari and its widespread use in Punjab, India , declined by the 1950s. [ 8 ]
Rural Bengali women still do this with cotton saris, the embroidery thread being taken from the sari border. It started as a method of making quilts, but the same type of embroidery can also be found on saris, salwar suits, stoles, napkins, etc. Themes include human beings, animals, flowers, geometric designs and mythological figures. [16]
The combination garment is sometimes called salwar kurta, salwar suit, or Punjabi suit. [33] [34] The shalwar-kameez is a widely-worn, [35] [36] and national dress, [37] of Pakistan. When women wear the shalwar-kameez in some regions, they usually wear a long scarf or shawl called a dupatta around the head or neck. [38]
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Engagement is a significant part of a Punjabi wedding. First, the girl is draped with a phulkari (very decorative dupatta), which is usually very ornate. In some families this chunni is a family heirloom, passed down from generation to generation. She is also presented with jewellery, which her mother and sister-in-law help her wear.
The Punjabi ghagra (Punjabi: ਘੱਗਰਾ) is a four-piece outfit [1] known as tewar or 'ti-or' which was traditionally worn by Punjabi women throughout the Punjab region with the outfit comprising a head scarf (), kurta or kurti, [2] ghagra (long skirt) and either a suthan (baggy trousers with a tight band around the ankles) or the Punjabi salwar (trousers). [3]
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The Pothohari salwar retains the wideness of the Punjabi suthan. The kameez is also wide. The chunni is a remnant of the large chadar popular in West Punjab known as salari [22] and the large Phulkari worn in various areas of the Punjab region. However, the Pothohari salwar suit did not attain universal acceptance.