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The depiction of winter landscapes in Western art begins in the 15th century, as does landscape painting in general. Wintry and snowy landscapes are very rarely seen in earlier European painting since most of the subjects were religious. Gold ground paintings had no painted backgrounds and other narrative scenes had highly stylized trees and ...
Woodmere Art Museum, Philadelphia View of Cotopaxi: 1857: Oil on canvas: 62.2 × 92.7 cm: Art Institute of Chicago, Illinois View on the Magdalena River: 1857: Oil on canvas: 23 + 3 ⁄ 4 in × 36 in (600 mm × 910 mm) Virginia Museum of Fine Arts, Richmond, VA: Niagara: 1857: Oil on canvas: 106.5 × 229.9 cm: National Gallery of Art ...
The work depicts mountains covered by snow, under a deep blue-black cloudless evening sky. The foreground is framed by the silhouetted limbs of bare weathered trees, but the work is devoid of any sign of humans or animals. At the centre of the symmetrically balanced painting is a single bright star visible in a gap between two mountains.
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Influenced by the work of art historian Charles Moffett and curated by Eliza Rathbone, Impressionists in Winter was sponsored by J.P. Morgan & Co. and opened in 1998 at The Phillips Collection art museum in Washington, D.C. In 1999, the exhibition appeared at the Yerba Buena Center for the Arts in San Francisco and the Brooklyn Museum in New ...
The painting depicts leafless trees in the winter snow, with the tops of two of the trees broken off and the third bent by the prevailing wind, giving the work a haunted, spectral air. It is a Romantic allegorical landscape, depicting a stone cairn or dolmen set amid three oak trees on a hilltop, with a contemplative melancholy mood.
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