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These climactic events played a great part in the development of a new art genre, the winter landscape. [6] In the late 18th century, the growing Romantic movement intensified interest in landscape painting, including winter landscapes. Practitioners included the German artist Caspar David Friedrich, who depicted remote and wild landscapes ...
The painting depicts leafless trees in the winter snow, with the tops of two of the trees broken off and the third bent by the prevailing wind, giving the work a haunted, spectral air. It is a Romantic allegorical landscape, depicting a stone cairn or dolmen set amid three oak trees on a hilltop, with a contemplative melancholy mood.
Influenced by the work of art historian Charles Moffett and curated by Eliza Rathbone, Impressionists in Winter was sponsored by J.P. Morgan & Co. and opened in 1998 at The Phillips Collection art museum in Washington, D.C. In 1999, the exhibition appeared at the Yerba Buena Center for the Arts in San Francisco and the Brooklyn Museum in New ...
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George Winter (June 10, 1809 – February 1, 1876) was an English-born landscape and portrait artist who immigrated to the United States in 1830 and became an American citizen in northern Indiana's Wabash River valley.
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