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A death mask is a likeness (typically in wax or plaster cast) of a person's face after their death, usually made by taking a cast or impression from the corpse. Death masks may be mementos of the dead or be used for creation of portraits. The main purpose of the death mask from the Middle Ages until the 19th century was to serve as a model for ...
The mask has fallen slightly back, thus its gaze is straight up to the heavens. [6] In December 1925, the mask was removed from the tomb, placed in a crate and transported 635 kilometres (395 mi) to the Egyptian Museum in Cairo, where, as of May 20th 2024, it has remained on public display since.
Tutankhamun became one of the best-known pharaohs, and some artefacts from his tomb, such as his golden funerary mask, are among the best-known artworks from ancient Egypt. Most of the tomb's goods were sent to the Egyptian Museum in Cairo and are now in the Grand Egyptian Museum in Giza , although Tutankhamun's mummy and sarcophagus are still ...
Mummy masks, in cartonnage, plaster, or stucco, in either traditional Egyptian style or Roman style, might be added to the mummies. [18] Another possibility was a Roman-style mummy portrait, executed in encaustic (pigment suspended in wax) on a wooden panel.
Faiyum is the source of some famous death masks or mummy portraits painted during the Roman occupation of the area. The Egyptians continued their practice of burying their dead, despite the Roman preference for cremation .
Tutankhamun and his queen, Ankhesenamun Tutankhamun was born in the reign of Akhenaten, during the Amarna Period of the late Eighteenth Dynasty of Egypt.His original name was Tutankhaten or Tutankhuaten, meaning "living image of Aten", [c] reflecting the shift in ancient Egyptian religion known as Atenism which characterized Akhenaten's reign.
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Nefertiti bust, from the 18th dynasty, New kingdom Egyptian death mask from the 18th dynasty. Louvre, Paris portrait of Meritamun, 19th dynasty of Egypt. Portraiture in ancient Egypt forms a conceptual attempt to portray "the subject from its own perspective rather than the viewpoint of the artist ... to communicate essential information about the object itself". [1]
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