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"The Day That Never Comes" is a song by heavy metal band Metallica, and the lead single from their ninth studio album, Death Magnetic. The song was released to the radio and for digital download on August 21, 2008. [1] The working title of the song was "Casper", as shown in the Mission: Metallica videos and in Demo Magnetic.
"The Day That Never Comes" topped the Hot Mainstream Rock Tracks chart. [104] The album stayed at #1 for three consecutive weeks on the Billboard 200, and spent 50 consecutive weeks on said chart. [105] Internationally, it peaked at #1 in 34 countries, including Ireland, the UK, Canada and Australia. [106]
The Videos 1989–2004 is a video album by American heavy metal band Metallica, released on DVD in December 2006. [1] It features all of the band's videos from 1989 to 2004. In its first week of release, the DVD sold 28,000 copies.
"Broken, Beat & Scarred" is a song by American heavy metal band Metallica, and the fourth and final single from their studio album Death Magnetic. It was released on April 3, 2009. [1] James Hetfield and Lars Ulrich argued at length over the title of this song. Hetfield said that he did not like the title, but Ulrich was "very adamant" that it ...
Unlike its predecessors, "The Unforgiven III" features as the seventh track on Death Magnetic, due to the band wanting "The Day That Never Comes" to be the fourth track after they returned to writing ballads. However, due to the song being the counterpart of "The Day That Never Comes", it is the fourth song from closing the album.
The discography of American heavy metal band Metallica includes 11 studio albums, eight live albums, three extended plays, 49 singles, 10 video albums, 43 music videos, one soundtrack album, one collaboration album and three box sets.
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The song's lyrics address suicidal feelings. [7] It begins with an acoustic guitar introduction and becomes progressively heavier as the song goes on, similar to their future songs, "Welcome Home (Sanitarium)", "One", and "The Day That Never Comes". James Hetfield commented on the song in a 1991 interview with Guitar World: