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In Ancient Rome, declamation was a genre of ancient rhetoric and a mainstay of the Roman higher education system. It was separated into two component subgenres, the controversia, speeches of defense or prosecution in fictitious court cases, and the suasoria, in which the speaker advised a historical or legendary figure as to a course of action.
Late Renaissance composers in particular were concerned with matching text up with music in such a way that the latter could be said to express the former. Madrigalists used a declamation technique known as word painting (text painting or tone painting) to make musical notes illustrate word meanings, trying literally to paint visual images with sonic materials.
Twice in its refrain, the o of the word Gloria is held through 16 different notes. George Frideric Handel's Messiah contains numerous examples of melisma, as in the following excerpt from the chorus "For Unto Us a Child Is Born" (Part I, No. 12). The soprano and alto lines engage in a 57-note melisma on the word born. Play ⓘ
Speech is the use of the human voice as a medium for language. Spoken language combines vowel and consonant sounds to form units of meaning like words, which belong to a language's lexicon.
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Melodeclamation (from Greek “melos” = song, and Latin “declamatio” = declamation) was a chiefly 19th century practice of reciting poetry while accompanied by concert music. [1] It is also described as "a type of rhythmic vocal writing that bears a resemblance to Sprechstimme." [2]
13th-century illustration of a Jew and a Christian debating in a work by the Jewish convert Petrus Alphonsi. Debate is a process that involves formal discourse, discussion, and oral addresses on a particular topic or collection of topics, often with a moderator and an audience.
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