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  2. Lighting ratio - Wikipedia

    en.wikipedia.org/wiki/Lighting_ratio

    A key light of 800 footcandles and a fill light of 200 footcandles has a ratio of 5:1 according to the lighting ratio formula — (800 + 200):200 = 1000 / 200 = 5 : 1. The ratio can be determined in relation to F stops since each increase in f-stop is equal to double the amount of light: 2 to the power of the difference in f stops is equal to ...

  3. f-number - Wikipedia

    en.wikipedia.org/wiki/F-number

    [1] [2] [3] The f-number is also known as the focal ratio, f-ratio, or f-stop, and it is key in determining the depth of field, diffraction, and exposure of a photograph. [4] The f-number is dimensionless and is usually expressed using a lower-case hooked f with the format f / N , where N is the f-number.

  4. Available light - Wikipedia

    en.wikipedia.org/wiki/Available_light

    In some cases, ambient light may be used as a fill, in which case additional lighting provides the stronger light source, for example in bounce flash photography. The relative intensity of ambient light and fill light is known as the lighting ratio, an important factor in calculating contrast in the finished image.

  5. Exposure value - Wikipedia

    en.wikipedia.org/wiki/Exposure_value

    The ratio t/N 2 could be used to represent equivalent combinations of exposure time and f-number in a single value. But for many such combinations used in general photography, the ratio gives a fractional value with a large denominator; this is notationally inconvenient as well as difficult to remember.

  6. Sunny 16 rule - Wikipedia

    en.wikipedia.org/wiki/Sunny_16_rule

    In photography, the sunny 16 rule (also known as the sunny f /16 rule) is a method of estimating correct daylight exposures without a light meter. Apart from the advantage of independence from a light meter, the sunny 16 rule can also aid in achieving correct exposure of difficult subjects.

  7. Fill light - Wikipedia

    en.wikipedia.org/wiki/Fill_light

    A common artificial lighting strategy that creates an overall appearance similar to natural fill places the fill light on the lens axis so that it will appear to cast few if any shadows from the point of view of the camera, which allows the key light that overlaps it to create the illusion of 3D in a 2D photo with the same single-source ...

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