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Silicon Film, a proposed digital sensor cartridge for film cameras that would allow 35 mm cameras to take digital photographs without modification was announced in late 1998. Silicon Film was to work as a roll of 35 mm film, with a 1.3 megapixel sensor behind the lens and a battery and storage unit fitting in the film holder in the camera. The ...
As in its last additive system, the camera had only one lens but used a beam splitter that allowed red and green-filtered images to be photographed simultaneously on adjacent frames of a single strip of black-and-white 35 mm film, which ran through the camera at twice the normal rate. By skip-frame printing from the negative, two prints were ...
Once the film was developed it was sliced down the middle and the ends attached, giving 50-foot (15 m) of Standard 8 film from a spool of 25-foot (7.6 m) of 16 mm film. 16 mm cameras, mechanically similar to the smaller format models, were also used in home movie making but were more usually the tools of semi professional film and news film makers.
The Photo History Timeline Collection; In the eye of the camera — Illustrated historical essay about early photography; Lippmann's and Gabor's Revolutionary Approach to Imaging; The Digital Camera Museum with accurate history section and many rare items Archived 2017-02-16 at the Wayback Machine; The Fascinating Timeline of Photography Technology
This camera system used the latest HD video cameras, not film, and was built for Cameron by Emmy nominated Director of Photography Vince Pace, to his specifications. The same camera system was used to film Spy Kids 3D: Game Over (2003), Aliens of the Deep IMAX (2005), and The Adventures of Sharkboy and Lavagirl in 3-D (2005).
View from the Window at Le Gras 1826 or 1827, believed to be the earliest surviving camera photograph. [1] Original (left) and colorized reoriented enhancement (right).. The history of photography began with the discovery of two critical principles: The first is camera obscura image projection; the second is the discovery that some substances are visibly altered by exposure to light. [2]
What set these cameras apart from earlier Pentax ones was the replacement of the M42 "universal" screw-lens mount with a proprietary bayonet mount system, known as the K mount. Still the basis for Pentax lenses and cameras today, the K mount offered greater convenience and enabled the production of faster lenses such as the 50 mm f /1.2. [17]
As the Olympus Six camera but with four element 7.5 cm f/3.5 lens Super Olympus 1943 A Olympus Six camera but with new five element 7.5 cm f/4.5 lens Super Olympus II 1943 As the Super Olympus I camera but with five element 7.5 cm f/3.5 lens Flex series (6x6 TLR cameras) Flex (later renamed Flex BII) 1952 First of the series of 6×6 TLRs