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The word taxidermy describes the process of preserving the animal, but the word is also used to describe the end product, which are called taxidermy mounts or referred to simply as "taxidermy". [ 1 ] The word taxidermy is derived from the Ancient Greek words τάξις taxis (order, arrangement) and δέρμα derma (skin). [ 2 ]
Only the skull of the animal is displayed, which will have horns, antlers, or nothing attached to the skull depending on the animal. The mount does not take up much room because of the lack of neck and hide. [2] The traditional method of removing muscle and other flesh tissue leaving only the clean skull is boiling the entire head of the animal.
As documented in Frederick H. Hitchcock's 19th-century manual entitled Practical Taxidermy, the earliest known taxidermists were the ancient Egyptians and despite the fact that they never removed skins from animals as a whole, it was the Egyptians who developed one of the world's earliest forms of animal preservation through the use of injections, spices, oils, and other embalming tools. [3]
The conservation of taxidermy is the ongoing maintenance and preservation of zoological specimens that have been mounted or stuffed for display and study. Taxidermy specimens contain a variety of organic materials, such as fur, bone, feathers, skin, and wood, as well as inorganic materials, such as burlap, glass, and foam.
James Arnold Dickinson, MBE, (born 1950, Leeds) is a British conservation-restoration taxidermist who repaired mounted animal skins and skeletons for museums in the United Kingdom for 40 years. Among his restoration works are the Leeds Irish elk , the Leeds polar bear (a "prized exhibit"), the Armley Hippo , and the Warrington seal (Warrington ...
Edwin H. Ward worked for a while on Oxford Street for Thomas Mutlow Williams who exhibited at the Great Exhibition of 1851. He then set up his own taxidermy shop in 1857 and received a royal warrant from Queen Victoria in 1870. Other distantly related Ward family members had taxidermy-related businesses as far away as New York and Australia.
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Morris would go on to author and publish the book Van Ingen & Van Ingen - Artists in Taxidermy in 2006 [3] which outlines the quality, complexity and history of what once was one of the world's largest taxidermy firms. The book also contains actual photocopies of the factory workbook records of the Van Ingen work flow.
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