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In 1941, Sloane played Mr. Bernstein in Welles' first movie, Citizen Kane. After filming had wrapped, Sloane returned to New York to perform (together with fellow Kane stars Ray Collins and Paul Stewart) in Mercury Theatre's last play, Richard Wright's Native Son, which had 114 performances from March to June 1941. [13]
Everett Sloane as Mr. Bernstein, Kane's friend and employee at The Inquirer. [14] William Alland as Jerry Thompson, a reporter for News on the March. Alland also voices the narrator of the News on the March newsreel. [14] Paul Stewart as Raymond, Kane's butler. [14] George Coulouris as Walter Parks Thatcher, a banker who becomes Kane's legal ...
Charles Foster Kane is a fictional character who is the subject of Orson Welles' 1941 film Citizen Kane. Welles played Kane (receiving an Academy Award nomination), with Buddy Swan playing Kane as a child. Welles also produced, co-wrote and directed the film, winning an Oscar for writing the film.
Bernstein is the last name of the only major character in Citizen Kane who receives a generally positive portrayal. Although Dr. Bernstein was nothing like the character in the film (possibly based on Solomon S. Carvalho, Hearst's business manager [ 45 ] : 241 ), Welles said, the use of his surname was a family joke: "I used to call people ...
RKO’s advertising campaign lauded “Citizen Kane” as the creation of “a one-man band.” Meanwhile, the actual author of the masterpiece — the movie’s co-screenwriter, Herman J ...
During World War II, Citizen Kane was not seen in most European countries. It was shown in France for the first time on July 10, 1946, at the Marbeuf theater in Paris. [7]: 34–35 [a] Initially most French film critics were influenced by the negative reviews of Jean-Paul Sartre in 1945 and Georges Sadoul in 1946.
1976: Leonard leaves Felicia to live in California with his lover. Leonard fell in love with Tom Cothran, the music director of a San Francisco classical radio station in 1971, and began a years ...
The Citizen Kane trailer is a four-minute, self-contained, "making of" promotional short film by Orson Welles and the Mercury Theatre, released in 1940 to promote the film Citizen Kane. Unlike other standard theatrical trailers of the era, it did not feature any footage of the actual film itself, but was a wholly original pseudo-documentary piece.