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Everett Sloane as Mr. Bernstein, Kane's friend and employee at The Inquirer. [14] William Alland as Jerry Thompson, a reporter for News on the March. Alland also voices the narrator of the News on the March newsreel. [14] Paul Stewart as Raymond, Kane's butler. [14] George Coulouris as Walter Parks Thatcher, a banker who becomes Kane's legal ...
In 1941, Sloane played Mr. Bernstein in Welles' first movie, Citizen Kane. After filming had wrapped, Sloane returned to New York to perform (together with fellow Kane stars Ray Collins and Paul Stewart) in Mercury Theatre's last play, Richard Wright's Native Son, which had 114 performances from March to June 1941. [13]
Charles Foster Kane is a fictional character who is the subject of Orson Welles' 1941 film Citizen Kane. Welles played Kane (receiving an Academy Award nomination), with Buddy Swan playing Kane as a child. Welles also produced, co-wrote and directed the film, winning an Oscar for writing the film.
During World War II, Citizen Kane was not seen in most European countries. It was shown in France for the first time on July 10, 1946, at the Marbeuf theater in Paris. [7]: 34–35 [a] Initially most French film critics were influenced by the negative reviews of Jean-Paul Sartre in 1945 and Georges Sadoul in 1946.
Bernstein is the last name of the only major character in Citizen Kane who receives a generally positive portrayal. Although Dr. Bernstein was nothing like the character in the film (possibly based on Solomon S. Carvalho, Hearst's business manager [ 45 ] : 241 ), Welles said, the use of his surname was a family joke: "I used to call people ...
In a few months Citizen Kane will be 80 years old, all involved now long-since departed, its status as one of the greatest films of all time as solid as ever. You’d think any old beefs would by ...
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Welles in Citizen Kane (1941) RKO rejected Welles's first two movie proposals, [67]: 3–15 but agreed on the third offer—Citizen Kane. Welles co-wrote, produced, directed and starred in the film. [68] Welles conceived the project with screenwriter Herman J. Mankiewicz, who was writing radio plays for The Campbell Playhouse.
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