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Hirokazu Kore-eda was born on 6 June 1962 [4] in Nerima, Tokyo, Japan. He is the youngest of three children, with two older sisters. [5] From a young age, Kore-eda would spend time watching movies with his mother. He said through an interpreter, "My mother loved films! She adored Ingrid Bergman, Joan Fontaine, Vivien Leigh. We couldn't afford ...
Pages in category "Films directed by Hirokazu Kore-eda" The following 16 pages are in this category, out of 16 total. This list may not reflect recent changes .
“Monster,” Hirokazu Kore-eda, Japan Described by Variety critic Peter Debruge as a “convoluted portrait of a pre-teen in turmoil,” Kore-eda ‘s Palme d’Or best script and Queer Palm ...
With this method, Kore-eda combined documentary with a fictional narrative. In the film, memories themselves are altered by people when they recall them and are subjectively revised, enhanced and reinterpreted when they are staged and recreated. [10] [11] About this ambiguous, fleeting nature of memory, Kore-eda reflects:
Kore-eda had previously become acquainted with Song and Gang at various film festivals, while he met Bae on the set of his 2009 film, Air Doll. [5] Kore-eda has described Broker as being a companion piece to his 2018 film Shoplifters, with the two films sharing a thematic interest in social outcasts who come together to form unconventional ...
Among the top 100 highest-grossing films, 97 of them are in English, with the other three being the Chinese films The Battle at Lake Changjin, Wolf Warrior 2 and Ne Zha 2. [1] One factor behind the relative financial success of English-language films is because of the function of the English language as the world's lingua franca.
Maborosi, known in Japan as Maboroshi no Hikari (Japanese: 幻の光, literally "phantasmic light", but best translated as 'a trick of the light'), is a 1995 Japanese drama film by director Hirokazu Kore-eda starring Makiko Esumi, Tadanobu Asano, and Takashi Naito.
Kore-eda was originally interested in the disciples of Aum Shinrikyo, which had committed the Tokyo subway sarin attack.He did not intend for the film to be a direct critique of these type of sects but rather that it would bring attention to everybody's civic responsibility to stopping such attacks and "how each individual is directly related to or is responsible for a criminal act".