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Seneca's main sources were Stoic.J. Fillion-Lahille has argued that the first book of the De Ira was inspired by the Stoic philosopher Chrysippus' (3rd-century BC) treatise On Passions (Peri Pathôn), whereas the second and third drew mainly from a later Stoic philosopher, Posidonius (1st-century BC), who had also written a treatise On Passions and differed from Chrysippus in giving a bigger ...
Seneca the Younger's Letter 47 of his Epistulae Morales ad Lucilium, sometimes known as On Master and Slave or On Slavery, is an essayistic look at dehumanization in the context of slavery in ancient Rome.
The renewed interest in Seneca's works in the 1920s was largely concerned with writing and analysis of the plays, rather than their performances. Some possible reasons for this interest were World War I , the violence of which could be related to the violence in the plays, and the popularization of psychoanalysis , which gave a new lens through ...
Ancient Greek philosophers, describing and commenting on the uncontrolled anger, particularly toward slaves, in their society generally showed a hostile attitude towards anger. Galen and Seneca regarded anger as a kind of madness. They all rejected the spontaneous, uncontrolled fits of anger and agreed on both the possibility and value of ...
De Vita Beata ("On the Happy Life") is a dialogue written by Seneca the Younger around the year 58 AD. It was intended for his older brother Gallio, to whom Seneca also dedicated his dialogue entitled De Ira ("On Anger"). It is divided into 28 chapters that present the moral thoughts of Seneca at their most mature.
Juno vents her anger at Jupiter's love affairs, concubines, and bastard offspring. She is very angry about the successes of Hercules, and decides to send him into a state of mad frenzy upon his return from the underworld.
Jason is made a more appealing figure by Seneca - thus strengthening the justification for, and power of, Medea’s passion. [9] Nevertheless, the increased degree of stage violence in the Seneca version, [ 10 ] and its extra gruesomeness, has led it to be seen as a coarser and more sensational version of Euripides’ play.
Thyestes is a first century AD fabula crepidata (Roman tragedy with Greek subject) of approximately 1112 lines of verse by Lucius Annaeus Seneca, which tells the story of Thyestes, who unwittingly ate his own children who were slaughtered and served at a banquet by his brother Atreus. [1]