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Clarice's 'Ravel' pattern on conical shape coffee pot, sugar, and cream – 1930. Cliff's ancestors moved from the Eccleshall area to Tunstall, Stoke-on-Trent, around 1725. Cliff was born on the terrace of a modest house in Meir Street on 20 January 1899. [1] Her father, Harry Thomas Cliff, worked at an iron foundry in Tunstall. Her mother Ann ...
The patterns were tonal and painted with the women's fingers. The original paint on the house was a limestone whitewash. The colors added to make the paintings were mostly natural pigments consisting of browns, blacks, and others. Most of the patterns were of a V shape and a very simple triangle on a large shape color.
The choice of paint color on the walls in Victorian homes was said to be based on the use of the room. Hallways that were in the entry hall and the stair halls were painted a somber gray so as not to compete with the surrounding rooms. Most people marbleized the walls or the woodwork.
Rose-painting was used to decorate church walls and ceilings. It then spread to wooden items commonly used in daily life, such as ale bowls, stools, chairs, cupboards, boxes, and trunks. Using stylized ornamentation made up of fantasy flowers, scrollwork , fine line work, flowing patterns and sometimes geometric elements give rose-painting its ...
Minneapolis Institute of Art [15] Head of a Young Girl and Two Goldfish: 1929 Etching in black on cream wove paper laid down on ivory wove paper (chine collé) 82 × 115 mm [e] Chicago, United States Art Institute of Chicago [16] Woman with a Fishbowl: 1929 Etching with chine collé 3 5/8 × 4 3/4 in. (9.2 × 12.1 cm) New York City, United States
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He created fifty different block-printed wallpapers, all with intricate, stylised patterns based on nature, particularly upon the native flowers and plants of Britain. His wallpapers and textile designs had a major effect on British interior designs, and then upon the subsequent Art Nouveau movement in Europe and the United States. [1]
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