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The alto flute is in the key of G, and the low register extends to the G below middle C; its highest note is a high G (4 ledger lines above the treble staff). The bass flute is an octave lower than the concert flute, and the contrabass flute is an octave lower than the bass flute.
The wider the pipe, the greater the suppression. Thus, other factors being equal, wide pipes are poor in harmonics, and narrow pipes are rich in harmonics. The scale of a pipe refers to its width compared to its length, and an organ builder will refer to a flute as a wide-scaled stop, and a string-toned gamba as a narrow-scaled stop.
At first the sound is a broad-spectrum "noise" (i.e. "chiff"), but those frequencies that match the resonant frequency of the resonating chamber are selectively amplified. The resonant frequency is the pitch of the note that is heard. Vessel flutes use the air in a vessel for amplification; the vessel acts as a Helmholtz resonator.
A flue stop usually at 4 ft or 2 ft pitch but sometimes 8 ft pitch; similar tone as Spitz Flute. Gravissima (Latin) Gravitone (Latin) Acoustic Bass (English) Basse acoustique (French) Flute: A name for a resultant 64 ft flute (a 32 ft stop combined with a 21 + 2 ⁄ 3 ft stop, which is a fifth, producing a difference tone of 8 Hz on low C).
The frequencies of the harmonic series, being integer multiples of the fundamental frequency, are naturally related to each other by whole-numbered ratios and small whole-numbered ratios are likely the basis of the consonance of musical intervals (see just intonation). This objective structure is augmented by psychoacoustic phenomena.
Subharmonic frequencies are frequencies below the fundamental frequency of an oscillator in a ratio of 1/ n, with n a positive integer. For example, if the fundamental frequency of an oscillator is 440 Hz, sub-harmonics include 220 Hz ( 1 ⁄ 2 ), ~146.6 Hz ( 1 ⁄ 3 ) and 110 Hz ( 1 ⁄ 4 ).
A440 (also known as Stuttgart pitch [1]) is the musical pitch corresponding to an audio frequency of 440 Hz, which serves as a tuning standard for the musical note of A above middle C, or A 4 in scientific pitch notation. It is standardized by the International Organization for Standardization as ISO 16.
Time–frequency analysis is extended from the classic Fourier approach. Short-time Fourier transform (STFT), Gabor transform (GT) and Wigner distribution function (WDF) are famous time–frequency methods, useful for analyzing music signals such as notes played on a piano, a flute or a guitar.