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While Seneca's plays evoke Aeschylus' Oresteia in narrative and characters, they also serve the important purpose of shedding light on unclear scenes in the original Agamemnon. Additionally, Seneca once again philosophizes the original story further, while adding more violently-detailed recounts of the murders that took place off-stage. [12]
Jason is made a more appealing figure by Seneca - thus strengthening the justification for, and power of, Medea’s passion. [9] Nevertheless, the increased degree of stage violence in the Seneca version, [10] and its extra gruesomeness, has led it to be seen as a coarser and more sensational version of Euripides’ play. [11]
[4] [5] In the Codex Ambrosianus C 90 (the main source for Seneca's essays) it is simply tacked onto the end of De Vita Beata suggesting a scribe missed a page or two. [6] The title of the essay, De Otio , is known from the table of contents.
Tragedies written by Lucius Annaeus Seneca, who is also known as Seneca the Younger.Octavia is included in the category, as although it is very probably not by him, [1] it is usually included in collections of Seneca's plays, such as the Penguin Classics book of Seneca's plays, Four Tragedies and Octavia
The Oresteia (Ancient Greek: Ὀρέστεια) is a trilogy of Greek tragedies written by Aeschylus in the 5th century BCE, concerning the murder of Agamemnon by Clytemnestra, the murder of Clytemnestra by Orestes, the trial of Orestes, the end of the curse on the House of Atreus and the pacification of the Furies (also called Erinyes or ...
Pelops and Hippodamia are parents to Thyestes. However, they were cursed by Myrtilus, a servant of King Oenomaus, the father of Hippodamia.Myrtilus was promised the right to Hippodamia's virginity and half of Pelops' kingdom, but Pelops denied both to him and killed him by throwing him into the sea.
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The influential early 20th Century French Theatre critic Antonin Artaud considered Seneca's Oedipus and Thyestes models for his Theatre of Cruelty, originally speaking and writing about Seneca's use of 'the plague' in Oedipus in a famous lecture on 'Theatre and the Plague' given at the Sorbonne (April 6, 1933) and later revised and printed in ...