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One of the earliest list of woodcuts by Dürer was assembled in 1808 by Adam Bartsch in his "Le Peintre Graveur" volume 7 [1] and in the appendix. In 1862 Johann David Passavant expanded "Le Peintre Graveur" [2] adding additional woodcuts. Bartsch and Passavant works, which were organized alphabetically, are the source of "B." and "P." numbers ...
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Scherer became seriously ill in autumn 1926 and died in Basel 13 May 1927. The artist was commemorated that year by an exhibition at the Kunsthalle Basel, which displayed over 200 of his works. The Dreiländermuseum in Lörrach holds 118 of Scherer’s works, including many woodcuts and the "Portrait of Otto Staiger". [4]
At the end of the war he became a member of the Arbeitsrat für Kunst in Berlin, which was an anti-academic, socialist movement of German artists during the German Revolution of 1918–19. Schmidt-Rottluff’s angular, contrasting style became more colorful and looser in the early 1920s, and by the mid-1920s he began to evolve into flat shapes ...
The post-Venetian woodcuts show Dürer's development of chiaroscuro modelling effects, [24] creating a mid-tone throughout the print to which the highlights and shadows can be contrasted. Other works from this period include the thirty-seven Little Passion woodcuts, published in 1511, and a set of fifteen small engravings on the same theme in 1512.
Jacob Pins "In Chains", From Woodcuts for Heinrich von Kleist’s Michael Kohlhaas (1953/2003), woodcut, Jerusalem Print Workshop. Blind People (1957), woodcut Jacob Otto Pins (17 January 1917 – 4 December 2005) was a German-born Israeli woodcut artist and art collector, particularly of Japanese prints and paintings.
Käthe Kollwitz (German pronunciation: [kɛːtə kɔlvɪt͡s] born as Schmidt; 8 July 1867 – 22 April 1945) [3] was a German artist who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture.
Jacob Steinhardt was born in Zerkow, German Empire (now Żerków, Poland). He attended the School of Art in Berlin in 1906, then studied painting with Lovis Corinth and engraving with Hermann Struck in 1907. From 1908 to 1910 he lived in Paris, where he associated with Henri Matisse and Théophile Steinlen, and in 1911 he was in Italy.