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"Samba de uma Nota Só", known in English as "One Note Samba", is a bossa nova and jazz standard song composed by Antônio Carlos Jobim with Portuguese lyrics by Newton Mendonça. The English lyrics were written by Jon Hendricks. It was first recorded by João Gilberto in 1960 for his album O Amor, o Sorriso e a Flor. [citation needed]
Antônio Carlos Brasileiro de Almeida Jobim (25 January 1927 – 8 December 1994), also known as Tom Jobim (Portuguese pronunciation: [tõ ʒoˈbĩ] ⓘ), was a Brazilian composer, pianist, guitarist, songwriter, arranger, and singer.
Bossa nova (Portuguese pronunciation: [ˈbɔsɐ ˈnɔvɐ] ⓘ) is a relaxed style of samba [nb 1] developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. [2] It is mainly characterized by a calm syncopated rhythm with chords and fingerstyle mimicking the beat of a samba groove, as if it was a simplification and stylization on the guitar of the rhythm produced by a samba school band.
Conventionally, guitarists double notes in a chord to increase its volume, an important technique for players without amplification; doubling notes and changing the order of notes also changes the timbre of chords. It can make possible a "chord" which is composed of the all same note on different strings.
Baden Powell decided at age 19 to stop playing the electric guitar, preferring to concentrate on the classical guitar for the rest of his career. He did record a series of albums with a borrowed steel-string acoustic, but that is as far as he strayed from his main instrument in his adulthood.
Jazz Guitarist Joe Pass on Intercontinental (album) (1970) and on Meditation: Solo Guitar (Pablo 2002) Johnny Hartman on I've Been There (1973) Antônio Carlos Jobim & Ana Caram on Rio After Dark (Chesky Records 1989) Adalberto Bravo on Smooth Passions (2004) Nellie McKay recorded the song for her 2009 album Normal as Blueberry Pie – A ...