Search results
Results from the WOW.Com Content Network
A camera (with teleprompter unit) mounted on a pedestal. A camera pedestal is an item upon which television cameras are mounted, typically seen in television studios.Unlike tripods, pedestals give camera operators the ability to move the camera in any direction (left, right, forward, back, up, down).
The pinhole camera model describes the mathematical relationship between the coordinates of a point in three-dimensional space and its projection onto the image plane of an ideal pinhole camera, where the camera aperture is described as a point and no lenses are used to focus light.
The science of photography is the use of chemistry and physics in all aspects of photography. This applies to the camera, its lenses, physical operation of the camera, electronic camera internals, and the process of developing film in order to take and develop pictures properly.
Pedestal crater; Pedestal desk; Pedestal table, a table with a single central leg; Pedestal toilet for sitting, as opposed to squat toilet for squatting; Camera pedestal, a column with a steerable base used to mount a television camera; Telecommunications pedestal, a ground-level housing for a passive connection point for underground cables.
Gyroscopes of this type can be extremely accurate and stable. For example, those used in the Gravity Probe B experiment measured changes in gyroscope spin axis orientation to better than 0.5 milliarcseconds (1.4 × 10 −7 degrees, or about 2.4 × 10 −9 radians) over a one-year period. [60]
Video is also an emerging option in camera traps, allowing researchers to record running streams of video and to document animal behavior. The battery life of some of these cameras is another important factor in which cameras are used; large batteries offer a longer running time for the camera but can be cumbersome in set up or when lugging the ...
Discover the latest breaking news in the U.S. and around the world — politics, weather, entertainment, lifestyle, finance, sports and much more.
This process included a lengthy alignment process in which the vision engineer would work with the camera operator, to adjust the settings on both the actual camera and the CCU in tandem. [1] During production, it was the vision engineers' job to operate the CCUs and control both the exposure and the colour balance .