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These new lenses included 35–80 mm f /4–5.6 (with built-in lens cap), 80–200 mm f /4.5–5.6, 35–105 mm f /3.5–4.5, 70–210 mm f /3.5–4.5, and 100–300 mm f /4.5–5.6. [ 4 ] Some of the original lenses were updated and re-released with the same cosmetics and are known as "New" or "Restyled" versions; minor optical updates such as ...
The Tamron 28-300mm F/3.5-6.3 Di VC PZD (Model A010) is an interchangeable superzoom full-frame DSLR camera lens announced by Tamron on February 6, 2014 [7] and released in late June 2014 for the Canon and Nikon mounts and on 30 October 2014 for the Sony mount.
50mm F1.4, 17-40mm F4, 100mm F2.8 Macro, 24-70mm F2.8, 70-200mm F2.8. This article details lenses for single-lens reflex and digital single-lens reflex cameras (SLRs and DSLRs respectively). The emphasis is on modern lenses for 35 mm film SLRs and for "full-frame" DSLRs with sensor sizes less than or equal to 35 mm.
50: B&W: Print: Orthochromatic film (insensitive to red light) high resolution and high contrast [204] Russia: 135-36 Silberra: Pan 50/Ultima 50 : 2017-P: 50: B&W: Print: General purpose panchromatic film with extended red sensitivity. Ultima - 80 μm thick base, Pan 100 μm thick base. Agfa-Gevaert Aviphot film [205] Russia/ Belgium: 135-36 ...
Tamron 18-270mm F/3.5-6.3 Di II VC PZD; Tamron SP AF 28-75mm f/2.8 XR Di LD Aspherical IF Macro; Tamron 28-300mm F/3.5-6.3 Di VC PZD; Tamron SP 35mm F1.8 Di VC USD; Tamron SP 45mm f/1.8 Di VC USD; Tamron SP AF 60mm F/2 Di II LD IF Macro; Tamron SP 70-200mm F/2.8 Di VC USD; Tamron SP AF 90mm f/2.8 Di 1:1 Macro; Tamron 150-600mm lens
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The following movies were filmed using 65mm or 70mm negative stock. Titles are followed by the photographic process(es) employed. Releases produced in Todd-AO, Todd-70, Super Panavision 70 (also known as Panavision 70), Panavision System 65 (also known as Panavision Super 70), Dimension 150, Arri 765 and Superpanorama 70 (also known as MClS 70 and MCS Superpanorama 70) were photographed with ...
For roll holder means film for cartridge roll holders, allowing roll film to be used with cameras designed to use glass plates. These were spooled with the emulsion facing outward, rather than inward as in film designed for native roll-film cameras. Types 106 to 114 were for Eastman-Walker rollholders, while types 50 to 54 were for Graflex ...
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