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The Ambassadors has been part of London's National Gallery collection since its purchase in 1890. It was extensively restored in 1997, leading to criticism, in particular that the skull's dimensions had been changed. Demonstration of how the skull image in "The Ambassadors" may be viewed head on, through a tube
The Stone Age cave paintings at Lascaux may make use of anamorphic technique, because the oblique angles of the cave would otherwise result in distorted figures from a viewer's perspective. [citation needed] The ancient historians Pliny and Tzetzes both record a sculpture competition between Alcamenes and Phidias to create an image of Minerva ...
The earliest catechisms of Reformed (Calvinist) Christianity, written in the 16th through 18th centuries, including the Heidelberg (1563), Westminster (1647) and Fisher's (1765), included discussions in a question and answer format detailing how the creation of images of God (including Jesus) was counter to their understanding of the Second ...
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Anamorphic paintings weren't all that uncommon in the mid-sixteenth century. Holbein's successor as court painter, William Scrots, painted an anamorphic portrait of Henry VIII's successor, Edward VI. That portrait appears to have a small scoop cut out of the right hand side of the frame: enlarge the image on Scrots's wiki page.
In the King James Version of the Bible the text reads: Ye have heard that it hath been said, An eye for an eye, and a tooth for a tooth: The World English Bible translates the passage as: “You have heard that it was said, ‘An eye for an eye, and a tooth for a tooth.’ The Novum Testamentum Graece text is: Ἠκούσατε ὅτι ...
Matthew 5:17 is the 17th verse of the fifth chapter of the Gospel of Matthew in the New Testament and is part of the Sermon on the Mount.One of the most debated verses in the gospel, this verse begins a new section on Jesus and the Torah, [1] where Jesus discusses the Law and the Prophets.
Yaldabaoth, otherwise known as Jaldabaoth or Ialdabaoth [a] (/ ˌ j ɑː l d ə ˈ b eɪ ɒ θ /; Koinē Greek: Ιαλδαβαώθ, romanized: Ialdabaóth; Latin: Ialdabaoth; [1] Coptic: ⲒⲀⲖⲦⲀⲂⲀⲰⲐ Ialtabaôth), is a malevolent God and demiurge (creator of the material world) according to various Gnostic sects, represented sometimes as a theriomorphic, lion-headed serpent.
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