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Hiram Abiff (also Hiram Abif or the Widow's son) is the central character of an allegory presented to all candidates during the third degree in Freemasonry. Hiram is presented as the chief architect of King Solomon's Temple. He is murdered inside this Temple by three ruffians, after they failed to obtain from him the Master Masons' secrets.
The chord progression is also used in the form IV–I–V–vi, as in songs such as "Umbrella" by Rihanna [5] and "Down" by Jay Sean. [6] Numerous bro-country songs followed the chord progression, as demonstrated by Greg Todd's mash-up of several bro-country songs in an early 2015 video.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
Mary Josephine Lavin (10 June 1912 – 25 March 1996) was an American-born Irish author of short stories and novels, now regarded as a pioneer in the field of women's writing. The well-known Anglo-Irish writer Lord Dunsany mentored Lavin after her father approached him on her behalf to discuss with him some stories she had written.
The Widow's Son may refer to: The Widow's Son, London, a public house in London; The Widow's Son (album), the sixth studio album by the rapper Apathy; The Widow's Son (book), the second book in the series The Historical Illuminatus Chronicles; The Widow's Son in the Windshield, the first episode of season 3 of the American television series Bones
Other early theater credits for Lavin included 1967’s Something Different, 1970’s Paul Sills' Story Theatre and 1969’s Last of the Red Hot Lovers, which earned her a Tony nomination.In 1969 ...
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11).
In a jazz band, these chord changes are usually played in the key of B ♭ [7] with various chord substitutions.Here is a typical form for the A section with various common substitutions, including bVII 7 in place of the minor iv chord; the addition of a ii–V progression (Fm 7 –B ♭ 7) that briefly tonicizes the IV chord, E ♭; using iii in place of I in bar 7 (the end of the first A ...