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"One Too Many Mornings" is a song by Bob Dylan, ... The Beau Brummels covered the song on a single which charted at number 95 in 1966. [5]
Released in July 1966, Beau Brummels '66 was considered a commercial and critical disappointment. [25] The non-album single "One Too Many Mornings", a Bob Dylan cover, was the band's sixth and final Hot 100 chart entry, peaking at number 95 in June. [14]
Magic Hollow is a box set compilation by The Beau Brummels comprising 113 songs recorded between 1964-1968, including hit singles, demos, outtakes, rarities and previously unissued material. The set was released on June 21, 2005 by Rhino Handmade .
[3] Eder added, "Casual listeners will probably love this CD, but after a few listens, they may join the serious fans in wishing that a more expansive survey of the Beau Brummels' work — along the lines of Rhino's double-CD anthologies on The Association and The Turtles [...] could be assembled."
Don Irving became a permanent member in early 1966, and he performed on the band's third album—and first on Warner Bros. Records—Beau Brummels '66. He also played on the band's single, "One Too Many Mornings", a Bob Dylan cover. John Petersen recalled, "Don Irving was really cool. He played all of Ron Elliott's licks perfectly.
The B-side was "Sad Little Girl", a song written by guitarist Ron Elliott from the band's second album The Beau Brummels, Volume 2. "Sad Little Girl" was called "gorgeous" by music critic Bruce Eder, [ 6 ] while author and journalist Richie Unterberger said the song might have been a better choice as the band's third single, following " Laugh ...
[1] [2] Irving became a permanent member in early 1966, and he performed on the band's third album—and first on Warner Bros. Records—Beau Brummels '66. [1] He also played on the band's single, "One Too Many Mornings", a Bob Dylan cover. [1] Drummer John Petersen recalled, "Irving was really cool. He played all of Elliott's licks perfectly.
Volume 2, unlike the band's debut, Introducing the Beau Brummels, failed to chart on the Billboard 200. The album's lack of commercial success has been linked to the band's label, Autumn Records, verging on collapse at the time of the album's release, [4] leading to a lack of distribution and promotion of the band's material. [3] [5]