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Sermon 18*: The Marks of the New Birth - John 3:8; Sermon 19*: The Great Privilege of those that are born of God - 1 John 3:9; Sermon 20: The Lord our Righteousness - Jeremiah 23:6; Sermon 21*: Upon Our Lord's Sermon on the Mount: Discourse One - Matthew 5:1-4; Sermon 22*: Upon Our Lord's Sermon on the Mount: Discourse Two - Matthew 5:5-7
John's disciples tell him that Jesus is also baptizing people, more than John it seems (John 3:26: "everybody is going to Him"). John replies that "A man can receive only what is given him from heaven. You yourselves can testify that I said, 'I am not the Christ, but am sent ahead of him'. The bride belongs to the bridegroom. The friend who ...
The First Epistle of John stands out from the others due to its form, but they're united by language, style, contents, themes, and worldview. [9] The Second and Third Epistles of John are composed as regular greco-roman letters, with greetings and endings, while the First Epistle of John lacks such characteristic markings and instead resembles a sermon or an exhoratory speech.
Communalism: Communalism, according to the sermon, reflects the Puritan ideals of “love, unity, and charity.” He mentions that people have different things to offer each other, and this induces a need for each other, helping the community. Unity: Different types of people were on the ship during the sermon but had the same goal of serving God.
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Literary Illustrations of the Bible: The Books of Judges and Ruth, 1906; The Literal Interpretation of the Sermon on the Mount, (with Marcus Dods and James Denney) 1904 (Re-published 2016, CrossReach Publications) The Mission and Expansion of Christianity in the First Three Centuries, v. 1–3 by Adolf Harnack. Translated by James Moffatt (1908)
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
León palimpsest (7th century; extant verses 1 John 1:5–5:21, [25] including the text of the Comma Johanneum . [26] The Muratorian fragment, dated to AD 170, cites chapter 1, verses 1–3 within a discussion of the Gospel of John. [27] Papyrus 9, dating from the 3rd century, has surviving parts of chapter 4, verses 11–12 and 14–17. [28]