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The New York Times example crossword grid. Will Shortz does not write the Times crossword himself; a wide variety of contributors submit puzzles to him. A full specification sheet listing the paper's requirements for crossword puzzle submission can be found online or by writing to the paper.
William F. Shortz (born August 26, 1952) is an American puzzle creator and editor who is the crossword editor for The New York Times. He graduated from Indiana University with a degree in the invented field of enigmatology. After starting his career at Penny Press and Games magazine, he was hired by The New York Times in 1993.
On 6 August 1975, The New York Times published a front-page obituary of Poirot with a photograph to mark his death. [9] [10] [11] Hastings also mentions "the case of Evelyn Carlisle" as he speculates over a possible hidden financial motive for X's actions, referring to Sad Cypress which centred on the revelation of money as a motivation for the ...
Will Shortz, the longtime crossword puzzle editor of the New York Times and NPR’s “puzzlemaster” for more than three decades, suffered a stroke last month and has spent the last several ...
Clue The Musical is a musical with a book by Peter DePietro, music by Galen Blum, Wayne Barker and Vinnie Martucci, and lyrics by Tom Chiodo, based on the board game Clue. The plot concerns a murder at a mansion, occupied by several suspects, that is solved by a detective, while the ending is decided by the audience.
The New York Times has used video games as part of its journalistic efforts, among the first publications to do so, [13] contributing to an increase in Internet traffic; [14] In the late 1990s and early 2000s, The New York Times began offering its newspaper online, and along with it the crossword puzzles, allowing readers to solve puzzles on their computers.
Clue: On Stage is a murder-mystery farce adapted from the 1985 film Clue, itself based on the popular board game. Sandy Rustin adapted Jonathan Lynn 's screenplay for the stage, with additional material by Hunter Foster and Eric Price.
Thus Richard Overy argues that 1930s Britain saw civilization as melodramatically under threat - "In this great melodrama Hitler's Germany was the villain; democratic civilization the menaced heroine"; [30] - while Winston Churchill provided the necessary larger-than-life melodramatic hero to articulate back-to-the-wall resistance during The Blitz.