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"The Gods of the Copybook Headings" is a poem by Rudyard Kipling, characterized by biographer Sir David Gilmour as one of several "ferocious post-war eruptions" of Kipling's souring sentiment concerning the state of Anglo-European society. [1] It was first published in the Sunday Pictorial of London on 26 October 1919.
Peter Bellamy sang it on his first album of songs set to Kipling's poems: Oak, Ash, & Thorn. He stated that the text of the song isn't derived from the tale of Cold Iron but they share a common theme of the iron's influence over men and the People of the Hills.
Where it is a permanent and pensioned opposition, as in England, the quality of its thought deteriorates accordingly. Moreover, anyone who starts out with a pessimistic, reactionary view of life tends to be justified by events, for Utopia never arrives and 'the gods of the copybook headings', as Kipling put it, always return.
Posthumous collections of Kipling's poems include: Rudyard Kipling’s Verse: Definitive Edition. A Choice of Kipling's Verse, edited by T. S. Eliot (Faber and Faber, 1941). Early verse by Rudyard Kipling, 1879–1889 : unpublished, uncollected, and rarely collected poems, Oxford : Clarendon Press, 1986. The Surprising Mr Kipling, edited by ...
The Gods of the Copybook Headings; Gunga Din; H. Hymn Before Action; I. If— ... Tommy (Kipling poem) U. Ubique (poem) W. The White Man's Burden; The Widow at Windsor
T. S. Eliot included the poem in his 1941 collection A Choice of Kipling's Verse. In the poem, a fog bell on a buoy above a shoal compares itself to a church bell and decides it does not want to "change with my brother a league inland". The church bell, controlled by the authority of the church, would have to fight with "darkling Powers ...
Having said that, it is more galling having not one but three references or links to him on the same page as a kipling poem; kipling can be somewhat controversial, but there is no doubt as to whether or not he was a complete idiot, and so on that basis if anyone wishes to delete the entire section, please feel free to do so.
Debits and Credits is a 1926 collection of fourteen stories, nineteen poems, and two scenes from a play by Rudyard Kipling, an English writer who wrote extensively about British colonialism in India and Burma. Four of the poems that accompany the stories are whimsically presented as translations from the "Bk.