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The Flagellation of Christ, in art sometimes known as Christ at the Column or the Scourging at the Pillar, is an episode from the Passion of Jesus as presented in the Gospels. As such, it is frequently shown in Christian art , in cycles of the Passion or the larger subject of the Life of Christ .
Christ after his Resurrection, with the ostentatio vulnerum, showing his wounds, Austria, c. 1500. The five wounds comprised 1) the nail hole in his right hand, 2) the nail hole in his left hand, 3) the nail hole in his right foot, 4) the nail hole in his left foot, 5) the wound to his torso from the piercing of the spear.
The Flagellation of Christ is a painting by the Italian Baroque painter Caravaggio, now in the Museo Nazionale di Capodimonte, Naples. [1] It is dated to 1607, and may have been reworked by the artist in 1610.
Christ at the Column (also known as The Flagellation of Christ; c. 1606/1607), is a painting by the Italian Baroque painter Caravaggio, now in the Musée des Beaux-Arts de Rouen, Rouen, France.
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In Agony in the Garden, Jesus prays in the garden after the Last Supper while the disciples sleep and Judas leads the mob, by Andrea Mantegna c. 1460.. In Roman Catholic tradition, the Agony in the Garden is the first Sorrowful Mystery of the Rosary [8] and the First Station of the Scriptural Way of the Cross (second station in the Philippine version).
During the scourging scene, the cat o' nine tails striking Jesus's flesh that resulted in blood squirting and his flesh being dislodged was omitted. In the crucifixion scene, the Roman soldiers nailing Jesus with blood spurting is cut, and the soldier strenuously dislocating Jesus's shoulder is trimmed; instead, the reaction shots of Mary and ...
The Church of the Flagellation is a Roman Catholic church and Christian pilgrimage site located in the Muslim Quarter of the Old City of Jerusalem, near St. Stephen's Gate (also called Lions' Gate).