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[3] Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted: In the case of very old blues songs, there is the constant recourse to oral tradition that conveyed the tune and even the song itself while at the same time evolving for several ...
Producer – Boz Scaggs; Executive Producer – Harry Duncan; Recorded by Michael Rodriguez and Elliot Scheiner; Assistant Engineers – Skip Curley and Bob Levy; Recorded at Meac Studio, Skywalker Sound (Marin County, CA) and Royal Recording Studio (Memphis, TN).
This duo of Relf and Nelson recorded several singles for different labels, before "Harlem Shuffle" in 1963. [1] The song was written by Relf and Nelson, arranged by Gene Page, [3] [4] and produced by Fred Smith. It was based on a number called "Slauson Shuffletime" (named after a boulevard in Los Angeles) by another Los Angeles singer, Round ...
"3 O'Clock Blues" or "Three O'Clock Blues" [1] is a slow twelve-bar blues recorded by Lowell Fulson in 1946. When it was released in 1948, it became Fulson's first hit. When B.B. King recorded the song in 1951, it became his first hit as well as one of the best-selling R&B singles in 1952. [2]
It is a mix of blues, blues rock, country, rock and roll and swamp pop sounds of the late 1950s and early 1960s. Artists considered to have pioneered the Tulsa sound include J. J. Cale, [2] Leon Russell, [3] Roger Tillison [4] and Elvin Bishop. [5] After 1980, Gus Hardin (country), [6] and Jeff Carson (country) released roots music albums. [7]
The album marked Scaggs's commercial zenith, a mix of pop rock ("Jump Street" and "Lido Shuffle"), soul ("What Can I Say" and "Lowdown"), and ballads ("Harbor Lights" and "We're All Alone", which became a hit for Rita Coolidge). Scaggs wrote "Jump Street" 10 minutes before recording it, only having a rough idea of the lyrics.
The songwriting for "Farther Up the Road" is credited to Joe Medwick Veasey, a Houston-area independent songwriter/broker, and Duke Records owner Don Robey.In an interview, blues singer Johnny Copeland claimed he and Medwick wrote the song in one night; Medwick then sold it the next day to Robey, with Robey taking Copeland's songwriting credit. [3]
Blues legend B.B. King with his guitar, "Lucille" Blues is a music genre and musical form that originated amongst African-Americans in the Deep South of the United States around the 1860s. Blues has incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture.