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A bass clarinet is not always called for in orchestra music, but is almost always called for in concert band music. In recent years, the bass clarinet has also seen a growing repertoire of solo literature including compositions for the instrument alone, or accompanied by piano, orchestra, or other ensemble.
In 1996, Boots developed the concept for Edmund Welles, and began arranging and composing for it. Some of the group's compositions were an outgrowth of repertoire of Magnesium, a power trio in which Boots had played "robot bass clarinet," a specially modified bass clarinet played with amplification and effects, and performing a bass role.
The clarinet family is a woodwind instrument family of various sizes and types of clarinets, including the common soprano clarinet in B♭ and A, bass clarinet, and sopranino E♭ clarinet. Clarinets that aren't the standard B♭ or A clarinets are sometimes known as harmony clarinets.
Octandre for flute (doubling piccolo), oboe, clarinet, horn, bassoon, trumpet, trombone, and double bass; Heitor Villa-Lobos: Bachianas Brasileiras No. 6 for flute and bassoon; Chôros No. 2 for flute and clarinet; Chôros No. 7 for flute, oboe, clarinet, alto saxophone, bassoon, violin and cello with tam-tam ad lib
No. 2, for harp, clarinet, timpani bells (chimes or glockenspiel), and double bass (1963) Koke no Niwa, for English horn (or B flat clarinet), 2 percussion and harp (1954; rev. 1960) The Garden of Adonis, for flute and harp (or piano) (1971) Firdausi, for clarinet, harp and percussion (1972) Spirit of Tress, for harp and guitar (1983)
The E ♭ clarinet, B ♭ clarinet, alto clarinet, bass clarinet, ... "The development of the clarinet repertoire". In Lawson (1995), pp. 75–91. Shackleton ...
The contra-alto clarinet is higher-pitched than the contrabass and is pitched in the key of E ♭ rather than B ♭.The unhyphenated form "contra alto clarinet" is also sometimes used, as is "contralto clarinet", but the latter is confusing since the instrument's range is much lower than the contralto vocal range; the more correct term "contra-alto" is meant to convey, by analogy with ...
The repertoire for contra-alto clarinet in the symphony orchestra is limited. In ensembles it is usually used in unison with the other woodwind instruments, such as (bassoon, bass clarinet and contrabass clarinet), or it plays the lower octave in addition. [citation needed]
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