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An idyll (/ ˈ aɪ d ɪ l /, UK also / ˈ ɪ d ɪ l /; from Greek εἰδύλλιον (eidullion) 'short poem'; occasionally spelled idyl in American English) [1] [2] [3] is a short poem, descriptive of rustic life, written in the style of Theocritus's short pastoral poems, the Idylls (Εἰδύλλια). Unlike Homer, Theocritus did not engage ...
Chalcedony scaraboid seal stone: 4th cent. BC. Fox and vine. A shepherd and a goatherd meet in the pastures one noontide and compliment each other upon their piping. [1] The shepherd, Thyrsis by name, is persuaded by the other—for a cup which he describes but does not at first show—to sing him The Affliction of Daphnis, a ballad which tells how the legendary cowherd, friend not only of ...
Five of these ten ancient poems are lyrical, narrative bardic guides (arruppatai) by which poets directed other bards to the patrons of arts such as kings and chieftains. [4] The others are guides to religious devotion (Murugan) and to major towns, sometimes mixed with akam- or puram-genre poetry.
Idyll XXIV, also called Ἡρακλίσκος (Heracliscus; 'The Little Heracles'), is a poem by the 3rd-century BC Greek poet Theocritus. [1] [2] This poem describes the earliest feat of Heracles, the slaying of the snakes sent against him by Hera, and gives an account of the hero's training.
Andrew Lang thinks this is rather a lyric than an idyll, being an expression of that singular passion which existed between men in historical Greece. [2] The Greeks sometimes exalted friendship to a passion, and such a friendship may have inspired this poem. [1]
Idyll IV, also titled Νομεῖς ('The Herdsmen'), is a bucolic poem by the 3rd-century BC Greek poet Theocritus. [1] The poem is a conversation between a goatherd named Battus and his fellow goatherd Corydon, who is acting oxherd in place of a certain Aegon who has been persuaded by one Milon son of Lampriadas to go and compete in a boxing-match at Olympia.
This idyll is one of Theocritus' best-well-known bucolics, along with Idylls I, VI, and VII. Idyll XI has an unusual set of narrative framing, as Theocritus appears in propria persona, and directly offers his friend Nicias consolatio amoris. [2] Nicias worked as a doctor, and it is likely the two knew each other in their youth. [3]
Syracusan Bride leading Wild Animals in Procession to the Temple of Diana (1866). This monologue consists of two parts; in the first part a Coan girl named Simaetha, assisted by her maid Thestylis, lays a fire-spell upon her neglectful lover, the young athlete Delphis; in the second, when her maid goes off to smear the ashes upon his lintel, she tells the Moon how his love was won and lost. [1]