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Rupert Gregson-Williams is a British composer, conductor, and record producer, best known for his film, video game, and television scores.His filmography includes Hotel Rwanda, for which he was awarded the European Film composer award, Hacksaw Ridge, Wonder Woman, Aquaman and its sequel, Over the Hedge, Bee Movie, Abominable, Back to the Outback, Made of Honor, The Holiday, The Legend of ...
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It should only contain pages that are Rupert Gregson-Williams albums or lists of Rupert Gregson-Williams albums, as well as subcategories containing those things (themselves set categories). Topics about Rupert Gregson-Williams albums in general should be placed in relevant topic categories .
Harry Gregson-Williams (born 1961) – Antz, The Tigger Movie, Chicken Run, Shrek, Sinbad: Legend of the Seven Seas, Flushed Away, The Martian, The Last Duel; Rupert Gregson-Williams (born 1966) – Over the Hedge, Bee Movie, Abominable, Grown Ups 1 and 2, Wonder Women, Aquaman and the Lost Kingdom; Merv Griffin (1925–2007) Mark Griskey (born ...
From the opening frames of HBO’s series “The Gilded Age,” the music of composers Harry Gregson-Williams and Rupert Gregson-Williams gives viewers a sense of the ambition and drive of “new ...
Rupert Gregson-Williams revealed in August 2021 that he was returning from Aquaman (2018) to compose the score for the sequel, Aquaman and the Lost Kingdom, after also doing so for the DC Extended Universe (DCEU) film Wonder Woman (2017). [1] The song "Deep End" was performed by X Ambassadors and released as a single on November 17, 2023. [2]
The music is composed and arranged by Rupert Gregson-Williams. It was released on June 2, 2017, by WaterTower Music. Rupert Gregson-Williams was hired to compose the film's music in November 2016. [1] [2] He is joined by Evan Jolly, Tom Howe, [3] Paul Mounsey, [4] and Andrew Kawczynski [5] who provide additional music.
Music critic Jonathan Broxton gave a mixed review for the soundtrack, saying "There’s nothing greatly wrong with The Legend of Tarzan in the bigger scheme of things; it’s functional, inoffensive, culturally respectful, and goes out of its way to mirror the current board-approved action music sound, which won’t upset any of the film’s key target demographics. "[6]