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The Rickenbacker Electro A-22, nicknamed the "Frying Pan" is the first electric lap steel guitar, also widely considered the first commercially successful electric guitar. Developed in 1931/1932, it received its patent in August 1937. [ 1 ]
He was born in Coleman County, Texas on March 18, 1899. Beauchamp performed in vaudeville, playing the violin and the lap steel guitar, before he settled in Los Angeles, California. During the 1920s, he experimented with the creation of electric lap steel guitars, electric guitars, electric bass guitars, electric violins, and instrument amplifiers.
At the end of 1931, Beauchamp, Barth, Rickenbacker and several other individuals banded together and formed the Ro-Pat-In Corporation (elektRO-PATent-INstruments) to manufacture and distribute electrically amplified musical instruments, with an emphasis on their newly developed A-25 Hawaiian Guitar, often referred to as the "fry-pan" lap-steel electric guitar, as well as an Electric Spanish ...
At the end of 1931, Beauchamp, Barth, Rickenbacher and several other individuals banded together and formed the Ro-Pat-In Corporation (elektRO-PATent-INstruments) to manufacture and distribute electrically amplified musical instruments, with an emphasis on their newly developed A-25 Hawaiian Guitar, often referred to as the "fry-pan" lap-steel electric guitar as well as an Electric Spanish ...
By the summer of 1932, Brewer went to Los Angeles to get the first available electric guitar from guitarist-inventor George Beauchamp—the A-25 "Frying Pan" (nicknamed for its combination of circular body and long neck resembling a frying pan [1]). [1] [4] Brewer made the purchase September 21, 1932. [1]
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The history of electric guitars has been summarized by Guitar World magazine, and the earliest electric guitar on their top 10 list is the Ro-Pat-In Electro A-25 "Frying Pan" (1932) described as "The first-fully functioning solid-body electric guitar to be manufactured and sold". [24]
The guitar he played was a Rickenbacker A22, nicknamed the "Frying Pan". [36]: 837 Formerly a trombone player, Dunn's guitar playing introduced horn-like solos, with the staccato phrasing of jazz players, and, according to historian Andy Volk, was of indelible influence on subsequent generations of steel players. [2]: 90