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The KROQ Top 106.7 Countdowns is an end-of-year countdown that lists the top "106.7" songs on the Los Angeles station KROQ as voted by listeners. The countdown started in 1980, and ran every year until 2009. Since 2009, the list has been compiled by fans from playlist data. [1]
Although "Institutionalized" was never a hit in the charts, the song received regular airplay on the Los Angeles radio station KROQ, when DJ Rodney Bingenheimer added it to their playlist, and it was ranked #23 on the radio station's "Top 106.7 Songs of 1983" countdown list. [6] "
KROQ-FM (106.7 MHz) is a commercial radio station licensed to Pasadena, California, serving Greater Los Angeles.Owned by Audacy, Inc., it broadcasts an alternative rock format known as "The World Famous KROQ" (pronounced "kay-rock").
The title track got a lot of radio play and was number two in the KROQ Top 106.7 Countdown of 1985." [3] The Vigilante also featured the track "I'm No Animal," which appeared on the soundtrack of 1986's Friday the 13th Part VI: Jason Lives. Felony's final album, In the Name of Rock-n-Roll was self funded and produced by Joe and Ron Merenstein ...
Album Top-40; Albums – Top 100 (Czech Republic) B. Billboard Christmas Hits 1983–1989; C. Chart hit; Christian contemporary hit radio; ... KROQ Top 106.7 Countdowns;
Rodney Bingenheimer (born December 15, 1946) is an American radio disc jockey who is best known as the host of Rodney on the ROQ, a radio program that ran on the Los Angeles rock station KROQ-FM from 1976 to 2017. [2]
The show debuted on KROQ on December 31, 1989, when it hosted the annual countdown of the year's best songs. On November 10, 2008, the Kevin and Bean Show started an afternoon segment, "Cinco De La Tarde" weekdays from 5-6 p.m. [1] As of August 3, 2009, this segment has been discontinued and the morning show has been restored to its original 10:00 AM end time.
Following its US-wide release, the track was included in KROQ's "Top 106.7 Songs of 1987". [3] AllMusic critic Dave Thompson later wrote that "We Love You" had "all the makings of a smash [hit]", while praising its instrumentation and "splendidly anthemic chorus". He also observed "barely veiled lyrics with anti-militaristic intent".
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