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The Giving of the Seven Bowls of Wrath / The First Six Plagues, Revelation 16:1-16. Matthias Gerung, c. 1531 Fifth Bowl, the Seven-headed Beast. Escorial Beatus Statue of an Etruscan priest, holding a phialē from which he is to pour a libation; the plagues of Revelation are poured out on the world like offerings.
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11 ).
"The Hearse Song" is a song about burial and human decomposition, of unknown origin.It was popular as a World War I song, and was popular in the 20th century as an American and British children's song, continuing to the present.
The piece was transcribed for solo piano by Ravel's friend Jacques Charlot the same year as it was published (1910); the first movement of Ravel's Le tombeau de Couperin was dedicated to Charlot's memory after his death in World War I. [5] Both piano versions bear the subtitle "cinq pièces enfantines" (five children's pieces). The five pieces are:
Phil Wickham shared the story behind the song, saying: "The song is all about bringing heaven to this moment, with the way we act, and the way we speak, and the way we live, letting Jesus be the king and his rule, and his way taking over." [6] On February 11, 2021, Wickham also released the radio version of the song. [1]
One of at least nine significant changes made to the film specifically for the remake, [6] "How Does a Moment Last Forever" was conceived to explain Belle's backstory. Her quest to find out her mother's fate serves, in the plot, as a foundation for her relationship with the Beast, who also lost his mother as a child. [2]
Davis presents an easy virtuosity on his solo guitar, and runs his voice across a surprisingly wide range in what is mostly gospel repertory. Not that any blues fans will mind his approach: Davis was one of those figures where the sound and feel of blues becomes indistinguishable from those of gospel.
Martin Luther wrote "Vater unser im Himmelreich" based on The Lord's Prayer.Each verse of the hymn is used to elaborate on the requests in the Lord's Prayer to God. [2] It was first published in 1539 in the Geistliche Lieder hymn book by Valentin Schumann and set to the tune of "Vater Unser" by an unknown composer.