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They are popular characters in Japanese art, literature, and theater [13] and appear as stock villains in the well-known fairytales of Momotarō (Peach Boy), Issun-bōshi, and Kobutori Jīsan. Although oni have been described as frightening creatures, they have become tamer in modern culture as people tell less frightening stories about them ...
A real existing tachi (Japanese long sword) named Dōjigiri, which is one of the Five Best Swords under Heaven and designated national treasure of Japan, [48] is associated with the tradition of being the sword that killed Shuten-dōji. [49] [q] Tada Shrine also has a tachi, Onikirimaru, which has a legend that it defeated Shuten-dōji.
A Japanese chimera with the features of the beasts from the Chinese Zodiac: a rat's head, rabbit ears, ox horns, a horse's mane, a rooster's comb, a sheep's beard, a dragon's neck, a back like that of a boar, a tiger's shoulders and belly, monkey arms, a dog's hindquarters, and a snake's tail. Koto-furunushi
Yōkai (妖怪, "strange apparition") are a class of supernatural entities and spirits in Japanese folklore.The kanji representation of the word yōkai comprises two characters that both mean "suspicious, doubtful", [1] and while the Japanese name is simply the Japanese transliteration or pronunciation of the Chinese term yaoguai (which designates similarly strange creatures), some Japanese ...
It is a general term for devils, demons and evil beings. In Japanese polytheism, it is an antonym of 神族 (shinzoku), "the tribe of gods". A maō is a king or ruler over mazoku. For instance, in Bible translations, Satan is a maō. In polytheism, the counterpart of maō is 神王 (shin'ō), "the king of gods".
Even though the kijin and onryō of Japanese Buddhist faith have taken humans' lives, there is the opinion that there is no "death god" that merely leads people into the world of the dead. [6] In Postwar Japan , however, the Western notion of a death god entered Japan, and shinigami started to become mentioned as an existence with a human nature.
Onryō are used as subjects in various traditional Japanese performing arts such as Noh, Kabuki, and Rakugo; for example, hannya is a Noh mask representing a female onryō. [5] The Japanese people's reverence for onryō has been passed down to the present day.
This work has revolutionized the way Japanese art history is viewed, and Edo period painting has become one of the most popular areas of Japanese art in Japan. In recent years, scholars and art exhibitions have often added Hakuin Ekaku and Suzuki Kiitsu to the six artists listed by Tsuji, calling them the painters of the "Lineage of Eccentrics".