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"I'll Be a Sunbeam" (also called "Jesus Wants Me for a Sunbeam") is a popular children's Christian hymn composed by Nellie Talbot; it is sung to music composed in 1900 by Edwin O. Excell. Due to its age, the hymn has entered the public domain in the United States .
William Batchelder Bradbury (October 6, 1816 – January 7, 1868) was a musician who composed the tune to "Jesus Loves Me" and many other popular hymns. [1] Biography
"Jesus Wants Me for a Sunbeam" is a song originally recorded by the Scottish alternative band the Vaselines for their EP Dying for It. [1] It is a parody on the Christian children's hymn "I'll Be a Sunbeam", which has the opening line "Jesus wants me for a sunbeam."
Here are 125 cute, sexy, and romantic nicknames for your boyfriend, fiancé, baby daddy, FWB—basically anyone you're getting romantic with. ... This might be a list of terms to call your ...
All for Jesus, All for Jesus; All Glory, Laud and Honour; All Hail the Power of Jesus' Name; All My Hope on God is Founded; All Things Bright and Beautiful; Alleluia! Sing to Jesus; Amazing Grace; And Can It Be; And did those feet in ancient time; Angel Voices, Ever Singing; At the Name of Jesus
Songwriter Ian Anderson described the song as "a blues for Jesus, about the gory, glory seekers who use his name as an excuse for a lot of unsavoury things. You know, 'Hey Dad, it's not my fault — the missionaries lied.'" [3] Sean Murphy of PopMatters wrote that, "For “Hymn 43” Anderson sets his sights on the US and in quick order sets about decimating the hypocrisy and myth-making of ...
The best known of her hymns is almost certainly "Jesus Loves Me".Some stanzas of this appear in modern hymnals rewritten by David Rutherford McGuire. She wrote some books jointly with her sister Susan Warner (Elizabeth Wetherell) which included Wych Hazel (1853), Mr. Rutherford's Children (1855) and The Hills of the Shatemuc (1856). [2]
The Hymn of Jesus, H. 140, Op. 37, is a sacred work by Gustav Holst scored for two choruses, semi-chorus, and full orchestra. It was written in 1917–1919 and first performed in 1920. It was written in 1917–1919 and first performed in 1920.