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The concept of the Trinity can be seen as developing significantly during the first four centuries by the Church Fathers in reaction to theological interpretations known as Adoptionism, Sabellianism, and Arianism. Adoptionism was the belief that Jesus was an ordinary man, born of Joseph and Mary, who became the Christ and Son of God at his baptism.
According to another formulation of the concept of sin in the Summa, at the heart of sin is "the turning away from the immutable good", i.e. God, and "inordinate turning to mutable good", i.e. creatures. (STh I–IIae q.87 a.4) This cannot be understood as if in the concrete sinful deed the sinner commits two separate and independent acts.
Depiction of the sin of Adam and Eve (The Garden of Eden with the Fall of Man by Jan Brueghel the Elder and Pieter Paul Rubens). Original sin (Latin: peccatum originale) in Christian theology refers to the condition of sinfulness that all humans share, which is inherited from Adam and Eve due to the Fall, involving the loss of original righteousness and the distortion of the Image of God. [1]
Origen significantly contributed to the development of the concept of the Trinity [206] [207] [208] and was among the first to name the Holy Spirit as a member of the Godhead, [209] but he was also a subordinationist, [210] [209] [211] [212] who taught that the Father was superior to the Son and the Son was superior to the Holy Spirit. [210 ...
The doctrine of the Trinity, considered the core of Christian theology by Trinitarians, is the result of continuous exploration by the church of the biblical data, thrashed out in debate and treatises, eventually formulated at the First Council of Nicaea in AD 325 in a way they believe is consistent with the biblical witness, and further refined in later councils and writings. [1]
In Judaism, bible hermeneutics notably uses midrash, a Jewish method of interpreting the Hebrew Bible and the rules which structure the Jewish laws. [1] The early allegorizing trait in the interpretation of the Hebrew Bible figures prominently in the massive oeuvre of a prominent Hellenized Jew of Alexandria, Philo Judaeus, whose allegorical reading of the Septuagint synthesized the ...
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The most usual depiction of the Trinity in Renaissance art depicts God the Father using an old man, usually with a long beard and patriarchal in appearance, sometimes with a triangular halo (as a reference to the Trinity), or with a papal crown, specially in Northern Renaissance painting. In these depictions, the Father may hold a globe or book ...
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