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A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
John A. Rea wrote about the poem's "alliterative symmetry", citing as examples the second line's "hardest – hue – hold" and the seventh's "dawn – down – day"; he also points out how the "stressed vowel nuclei also contribute strongly to the structure of the poem" since the back round diphthongs bind the lines of the poem's first ...
"Miners" is a poem by Wilfred Owen. He wrote the poem in Scarborough in January 1918, a few weeks after leaving Craiglockhart War Hospital where he had been recovering from a shell-shock. Owen wrote the poem in direct response to the Minnie Pit Disaster in which 156 people (155 miners, 1 rescue worker) died. [1]
Nothing gold can ever stay gold forever. In The Outsiders (novel) by S.E. Hinton Johnny writes in a letter to Ponyboy that Frost meant that gold was like childhood. This is why his dying word to Pony are "Stay gold". Johnny means that he should keep the joy of childhood inside him and never let it go. The poem is simply based on nature.
"Now Sleeps the Crimson Petal" is a poem written by Alfred Tennyson. It is like a sonnet in having fourteen iambic lines, but it is not rhymed (except that the word "me" is repeated at the ends of key lines), and it does not follow either the Shakespearean or Petrarchan organization. It was first published in 1847, in The Princess: A Medley.
When reviewing Lawson's poetry collection In the Days when the World was Wide and Other Verses, a writer in The Evening News (Sydney) noted: "Mr. Lawson is not, indeed, likely to be ever revealed in the character of a master singer, but so far as he goes he is really a minstrel of native fire, and not like a good many who pretend to that character, a merely ingenious imitator or adaptor of ...
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"All Watched Over by Machines of Loving Grace" is a poem by Richard Brautigan first published in his 1967 collection of the same name, his fifth book of poetry.It presents an enthusiastic description of a technological utopia in which machines improve and protect the lives of humans.