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Burra Katha or Burrakatha, is an oral storytelling technique in the Jangam Katha tradition, performed in villages of Andhra Pradesh and Telangana in India. It is performed by a troupe consisting of one main performer and two co-performers, and is a narrative entertainment that consists of prayers, solo drama, dance, songs, poems and jokes.
The collection won the Andhra Sahitya Academy Award in 1979 and is regarded as one of the finest Telugu short story collections of the 20th century. [2] It has been praised for its imaginative storytelling and depiction of rural life. A television series based on the stories, titled Amaravati Ki Kathayein (1995), was directed by Shyam Benegal. [2]
Brahmamgari matam in Kadapa district is a pilgrimage center in Andhra Pradesh.; Editor T Ganapati Sastri of the book BrahmaTatwa Prakasika of Sadasivendra Saraswati (Trivandrum Sanskrit Series No VII), published in 1909, makes passing mention of a Tamil work called Acharya-Darpana that supposedly details his deeds.
The comedy play like 'Chintamani" is an all-time favorite of Andhra people. [19] [21] The other most important feature in the Telugu theatre is "Parishid Play". These Parishid plays have taken place for the improvements in Telugu theatre and lead to a realistic movement rather than the normal epic stories happened before that time.
Yajnam To Tommidi (Short stories) 1996 Kethu Viswanatha Reddy: Kethu Vishwanatha Reddy Kathalu (Short stories) 1997 Penumarthi Viswanatha Sastri (Ajanta) Swapna Lipi (Poetry) 1998 Balivada Kantha Rao: Balivada Kantha Rao Kathalu (Short stories) 1999 Vallampati Venkata Subbayya Katha Silpam (Essays) 2000 N. Gopi: Kalanni Nidra Ponivvanu (Poetry ...
The culture of Andhra Pradesh embodies some very exclusive and special entities. Women wear Venkatagiri, Pedana, Bandarulanka, Uppada, Mangalagiri, Dharmavaram sarees. The exclusive metal ware, brass, stone and wood carving from Budithi in Srikakulam District and Veenas from Bobbili and colourful toys from Etikoppaka and Kondapalli highlight ...
Beyond films, Jandhyala wrote children's stories, and authored more than 27 stage and radio plays. He acted in numerous stage plays, was a popular television anchor, and occasionally served as a dubbing artist. His diverse contributions to Telugu cinema, theatre, and television have left a lasting impact on the industry. [2] [10]
Ahobala-panditiya (also known as Kavi-siro-bhushana), a Sanskrit commentary on Andhra-shabda-chintamani, also retells this story. [10] While some of the grammatical sutras in Appa-kavi's work may be from Nannaya's time, Andhra-shabda-chintamani is an imaginary work, [10] and was probably fabricated by Bala-sarasvati himself. [13]