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The music of ancient Rome was a part of Roman culture from the earliest of times. Songs ( carmen ) were an integral part of almost every social occasion. [ 1 ] The Secular Ode of Horace , for instance, was commissioned by Augustus and performed by a mixed children's choir at the Secular Games in 17 BC.
The two epigrams are also symmetrically positioned within the cycle, 8th from the beginning and 7th or 8th from the end of the cycle respectively. [19] The last of the elegiac poems (116) is linked to the first elegiac poem (65) by the phrase carmina Battiadae 'songs of Callimachus', which occurs only in these two poems. Both poems concern the ...
Marcus Valerius Martialis (known in English as Martial / ˈ m ɑːr ʃ əl /; March, between 38 and 41 AD – between 102 and 104 AD) was a Roman poet born in Hispania (modern Spain) best known for his twelve books of Epigrams, published in Rome between AD 86 and 103, during the reigns of the emperors Domitian, Nerva and Trajan.
Catullus (c. 84 BC – c. 54 BC) lived in the waning days of the Roman Republic, just before the Imperial era that began with Augustus.Catullus is the chief representative of a school of poets known as the poetae novi or neoteroi, both terms meaning "the new poets".
The Seikilos epitaph is an Ancient Greek inscription that preserves the oldest surviving complete musical composition, including musical notation. [1] [2] Commonly dated between the 1st and 2nd century AD, the inscription was found engraved on a pillar from the ancient Hellenistic town of Tralles (present-day Turkey) in 1883.
Roman epigrams owe much to their Greek predecessors and contemporaries. Roman epigrams, however, were often more satirical than Greek ones, and at times used obscene language for effect. Latin epigrams could be composed as inscriptions or graffiti , such as this one from Pompeii , which exists in several versions and seems from its inexact ...
The Liber epigrammatum is a collection of Latin epigrammatic poems composed by the Northumbrian monk Bede (d. 735). The modern title comes from a list of his works at the end of his Historia ecclesiastica gentis Anglorum (V.24.2): "librum epigrammatum heroico metro siue elegiaco" ("a book of epigrams in the heroic or elegiac meter").
Inspired by Sappho, Balbilla also used traditional lyric themes: the love of songs and a liking for the Muses. The first and second epigrams tell the story of a mythical king of Ethiopia, Memnon, killed by Achilles at Troy, whom the god Zeus made immortal. Balbilla is not addressing Memnon but is flattering Hadrian and Sabina.