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Roman epigrams owe much to their Greek predecessors and contemporaries. Roman epigrams, however, were often more satirical than Greek ones, and at times used obscene language for effect. Latin epigrams could be composed as inscriptions or graffiti , such as this one from Pompeii , which exists in several versions and seems from its inexact ...
Leonidas [a] of Alexandria (/ l i ˈ ɒ n ɪ d ə s,-d æ s /; Ancient Greek: Λεωνίδας; Latin: Leonidas Alexandrinus; fl. 1st century AD) was a Greek epigrammatist active at Rome during the reigns of Nero and Vespasian. Some of his epigrams are preserved in the Greek Anthology, and in one he lays claim to having invented the isopsephic ...
Marcus Valerius Martialis (known in English as Martial / ˈ m ɑːr ʃ əl /; March, between 38 and 41 AD – between 102 and 104 AD) was a Roman poet born in Hispania (modern Spain) best known for his twelve books of Epigrams, published in Rome between AD 86 and 103, during the reigns of the emperors Domitian, Nerva and Trajan.
Marcus Argentarius (Ancient Greek: Μάρκος Ἀργεντάριος; fl. c. AD 60 [1]) was a Greek epigrammatist.. Some thirty-seven epigrams are attributed to Marcus in the Greek Anthology, most of which are erotic, and some are plays on words. [2]
He received the laurel wreath many times, which is a symbol of continuous victory. Often at the end of a victorious game, fans threw him money. Eventually, he bought his freedom, becoming a libertus (freed slave). Martial, a Roman poet, refers to Scorpus twice in Book X of his Epigrams, composed between 95 and 98 AD: [1]
The House of the Greek Epigrams (Casa degli Epigrammi Greci, V 1,18) is a Roman residence in the ancient town of Pompeii that was destroyed by the eruption of Mount Vesuvius in 79 CE. It is named after wall paintings with inscriptions from Greek epigrams in a small room (y) next to the peristyle .
The study of ancient handwriting, usually in ink, is a separate field, palaeography. [7] Epigraphy also differs from iconography, as it confines itself to meaningful symbols containing messages, rather than dealing with images. Arabesque epigraphy with various Maghrebi Arabic scripts in the Myrtle Court of the Alhambra.
The Leiden Conventions or Leiden system is an established set of rules, symbols, and brackets used to indicate the condition of an epigraphic or papyrological text in a modern edition. In previous centuries of classical scholarship, scholars who published texts from inscriptions, papyri, or manuscripts used divergent conventions to indicate the ...
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