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The designs and motifs in kente cloth are traditionally abstract, but some weavers also include words, numbers and symbols in their work. [3] Example messages include adweneasa , which translates as 'I've exhausted my skills', is a highly decorated type of kente with weft -based patterns woven into every available block of plain weave.
These patterns were called Sesea and are considered to be the first examples of true Ashanti Kente Cloth. The original centuries-old Sesea swatches are to this day kept in the Kente Chief's house in Adanwomase. Since the first apprentices returned from Bontuku, Adanwomase has been the royal weaving village for the Ashanti King.
Ewe Kente: Kente cloth is also worn by the Ewe,located in Ghana and Togo and Benin Republic. The Ewe, a Gbe speaking group who originated from Nigeria,had a tradition of horizontal loom weaving, adopted the double heddle frame loom style of kente cloth weaving from the Asante with some important differences.
Unlike expensive wax prints, the design is printed on one side of the cotton fabric. Fancy prints are made in Europe, India, and West Africa. The most popular fancy print is known as the traditional print. Kente—traditionally woven by men. Kente is an informal fabric for anyone who is not a member of the Akan people. For Akans and many Ewes ...
The people of the town called the new design, (Kenten-Nwin-Ntoma), a woven-basket-cloth. It was later corrupted to Kente. The new King of the Asantes called Otumfuo Okatakyie Opoku Ware created a Kente-stool for the two brothers after they reported the improved design to him in 1721. [4]
Korhogo cloth is an African textile made by the Senufo people of Korhogo, Ivory Coast. Often described as being in the shadows of bogolafini (mud cloth) and kente, [1] korhogo comes in neutral and earthy tones like browns, blacks and creams. Korhogo is made by hand painting designs on hand woven and hand spun cotton fabric.
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The cloth features 15 stamped symbols, including nsroma (stars), dono ntoasuo (double Dono drums), and diamonds. The patterns were printed using carved calabash stamps and a vegetable-based dye. It has resided in the British Museum since 1818, when it was donated by Thomas E. Bowdich. [9] [10] [11] 1825 Adinkra cloth
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