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The Papua New Guinea National Emblem is a partially-stylized representation of the widespread Bird of Paradise Genus paradisaea in display, head turned to its left, seated on the upturned grip of a horizontal Kundu drum with the drum-head to the right side of the bird, from behind which a horizontal ceremonial spear projects with the head to the left of the bird.
Papua New Guinea; Use: National flag, civil and state ensign: Proportion: 3:4: Adopted: 1 July 1971; 53 years ago (): Design: Divided diagonally from the upper hoist-side corner to the lower fly-side corner: the upper triangle is red with the soaring Raggiana bird-of-paradise and the lower triangle is black with the Southern Cross of four white larger five-pointed stars and the smaller star.
List of wildlife works of art by Frank Weston Benson; Bird (mathematical artwork) Bird in Hand (painting) Bird in Space; Bird on Money; Bird stone; Bird-and-flower painting; Birds in Meitei culture; The Birds of America; The Birds (painting) Black Stork in a Landscape; The Blind Girl; The Blue Bird (Metzinger) Bouquet près de la fenêtre; The ...
The Sarimanok is the legendary bird that has become a ubiquitous symbol of Maranao art. It is depicted as a fowl with colorful wings and feathered tail, holding a fish on its beak or talons. The head is profusely decorated with scroll, leaf, and spiral motifs. It is said to be a symbol of good fortune. [2] [3] [4]
In this central layer the pictorial elements are equal: birds and fish are alternately foreground or background, depending on whether the eye concentrates on light or dark elements. The birds take on an increasing three-dimensionality in the upward direction, and the fish, in the downward direction. But as the fish progress upward and the birds ...
Its name is Indian, and signifies, in the Illini, "The Bird That Devours Men." The original Piasa Creek ran through the main ravine in downtown Alton, and was completely covered by huge drainage pipes around 1912. According to the story published by Russell, the creature depicted by the painting was a huge bird that lived in the cliffs.
The top layer (the bird) is partially transparent, so the background clearly can be seen through its wing. In this picture the top layer has a drop shadow, a red color overlay of 40%, a gradient overlay from red to yellow of 20% opacity, and a slight bevel effect.
Bird-and-flower painting by Cai Han and Jin Xiaozhu, c. 17th century.. The huaniaohua is proper of 10th century China; and the most representative artists of this period are Huang Quan (哳㥳) (c. 900 – 965), who was an imperial painter for many years, and Xu Xi (徐熙) (937–975), who came from a prominent family but had never entered into officialdom.