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Quiet storm songs are a mix of genres, including pop, contemporary R&B, smooth soul, smooth jazz and jazz fusion – songs having an easy-flowing and romantic character. The format first appeared in 1976 but initially it drew from songs recorded earlier.
In Aaron J. West's introduction to his analysis of smooth jazz, "Caught Between Jazz and Pop" he states, "I challenge the prevalent marginalization and malignment of smooth jazz in the standard jazz narrative. Furthermore, I question the assumption that smooth jazz is an unfortunate and unwelcomed evolutionary outcome of the jazz-fusion era.
It avoids the improvisational "risk-taking" of jazz fusion, emphasizing melodic form, and much of the music was initially "a combination of jazz with easy-listening pop music and lightweight R&B." [1] [2] During the mid-1970s in the United States, it was known as "smooth radio"; the genre was not termed "smooth jazz" until the 1980s. [3]
[1] On June 16, 1972, the New York Jazz Museum opened in New York City at 125 West 55th Street in a one and one-half story building. It became the most important institution for jazz in the world with a 25,000 item archive, free concerts, exhibits, film programs, etc. Carlos Santana, one of the pioneers of the Latin jazz-fusion genre
Bob Baldwin; David Benoit; Alex Bugnon; Brian Culbertson; Eumir Deodato; Terry Disley; George Duke; Ronnie Foster; Jonathan Fritzén; Chris Geith; Tom Grant; Dave Grusin
The term yacht rock did not exist contemporaneously with the music the term describes, [6] which was produced from 1975 to 1984. [7] [8] It refers to "adult-oriented rock" [6] or "West Coast Sound", [4] [3] which became identified with yacht rock in 2005, when the term was coined in J. D. Ryznar et al.'s online video series of the same name.
Johnny Mathis concentrated on romantic readings of jazz and pop standards for the adult contemporary audience of the 1960s and 1970s. [11] Adult contemporary traces its roots to the 1960s easy listening format, which adopted a 70–80% instrumental to 20–30% vocal mix. A few offered 90% instrumentals, and a handful were entirely instrumental.
The first CD from the Weather Channel heralded the network's entry into retail music. The network's music had been a source of interest for viewers, who had written in for years asking where they could purchase the music played during the "Local on the 8s" segment, broadcast 288 minutes each day. The 12-song compilation features the channel's ...