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Tonguing is a technique used with wind instruments to enunciate notes using the tongue on the palate or the reed or mouthpiece. A silent "tee" [2] is made when the tongue strikes the reed or roof of the mouth causing a slight breach in the air flow through the instrument. If a more soft tone is desired, the syllable "da" (as in dou ble) is ...
Flutter-tonguing is a wind instrument tonguing technique in which performers flutter their tongue to make a characteristic "FrrrrrFrrrrr" sound. The effect varies according to the instrument and at what volume it is played, ranging from cooing sounds on a recorder to an effect similar to the growls used by jazz musicians. Bassoon flutter-tonguing.
Articulation is a musical parameter that determines how a single note or other discrete event is sounded. Articulations primarily structure an event's start and end, determining the length of its sound and the shape of its attack and decay. They can also modify an event's timbre, dynamics, and pitch. [1]
The steel tongue drum is based on the wooden slit drum. The slit drum is known to have been developed independently by multiple ancient civilizations including Africans, Aztecs, and Indonesians. They were used for both ritual and entertainment in these ancient civilizations. The steel tongue drum of today had several predecessors, most notably ...
B♭ alto — up a perfect fourth. A — up a major third. G — up a major second. E — down a minor second. E♭ — down a major second (used for horn on pitches with multiple sharps until Richard Strauss) D — down a minor third. C — down a perfect fourth. B♭ basso — down a perfect fifth. Some less common transpositions include:
Saxophone embouchure is the position of the facial muscles and shaping of the lips to the mouthpiece when playing a saxophone. Playing technique for the saxophone can derive from an intended style (classical, jazz, rock, funk, etc.) and the player's idealized sound. The design of the saxophone allows for a wide variety of different approaches ...
Embouchure (English: / ˈɒmbuˌʃʊər / ⓘ) or lipping[1] is the use of the lips, facial muscles, tongue, and teeth in playing a wind instrument. This includes shaping the lips to the mouthpiece of a woodwind instrument or the mouthpiece of a brass instrument. The word is of French origin and is related to the root bouche, 'mouth'.
The sound is created as a result of the release of suction in the mouth and the popping sound that the reed produces which amplifies as it travels through the horn. This effect is similar to when you would suck on a spoon. To create this effect, lay your tongue against a lot of the reed. Gently push upward so that the tip and rail of the reed ...