Search results
Results from the WOW.Com Content Network
By the 1960s, the movement's initial effect had been assimilated, yet its methods and proponents remained highly influential in art, affecting profoundly the work of many artists who followed. Abstract expressionism preceded Tachisme, Color Field painting, Lyrical Abstraction, Fluxus, Pop Art, Minimalism, Postminimalism, Neo-expressionism, and ...
In 2016 her biography was included in the exhibition catalogue Women of Abstract Expressionism organized by the Denver Art Museum. [9] In 2023 her work was included in the exhibition Action, Gesture, Paint: Women Artists and Global Abstraction 1940-1970 at the Whitechapel Gallery in London. [10]
Like her peer Cy Twombly, she extended the vocabulary of her Abstract Expressionist forebears. She imbued their painterliness with a compositional and chromatic bravery that defiantly alarms us into grasping their beauty." [66] In 2016 her work was included in the exhibition Women of Abstract Expressionism organized by the Denver Art Museum. [67]
Pages in category "Abstract expressionist artists" The following 200 pages are in this category, out of approximately 349 total. This list may not reflect recent changes .
Grace Hartigan (March 28, 1922 – November 15, 2008) was an American abstract expressionist painter and a significant member of the vibrant New York School of the 1950s and 1960s. [1] Her circle of friends, who frequently inspired one another in their artistic endeavors, included Jackson Pollock , Larry Rivers , Helen Frankenthaler , Willem ...
Zoe Longfield (1924–2013) was an American abstract expressionist artist from the San Francisco Bay Area.She was among the first generation of Abstract Expressionists, which arose primarily in New York and San Francisco in the second half of the 1940s.
In 2016 de Kooning was one of twelve female artists featured in the "Women of Abstract Expressionism" exhibition organized by the Denver Art Museum. [17] The purpose of this show was to highlight the unique talents and perspectives of female artists who, as was previously noted, were often dismissed or overshadowed by their male counterparts.
Blinding Light. With Harlequin, (1946), West investigated “art as process” and her expressive abstractions became more aggressive action paintings. [10] She soon destroyed Harlequin by painting over it (leaving some parts still visible) with Blinding Light (1947-48); the overpainting was a deliberate act of destruction, her response to the destructive power of the atomic bomb. [13]