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The licensing services provided by a PRO arguably provide advantage to customers, who can simultaneously license all works the PRO represents. Criticisms PROs have been criticised for charging non-profit organisations for their use of copyrighted music in situations where the non-profit organisation was not earning money from the use.
Music Reports, a US-based music rights licensing company; Motion Picture Licensing Corporation (MPLC) SESAC, a US-based performance rights association; SoundExchange, a digital performance rights association (non-interactive radio) Pro Music Rights, a US-based performance rights association
Chilean music and musicians Non-profit organisation that collects data on composers, academics, institutions, people and other topics related to classical music and Chile. Managed by the organization and subscribers. SongLyrics Lyrics Music website that has established itself as a go-to platform for finding lyrics. Sound Credit: Credits
Andy Kershaw's record collection reportedly weighed seven tons at one point. This article lists the owners of the largest private music collections, some of which have been donated to public institutions for their study and preservation. As of 2017, the largest record collection with over 6 million items belongs to Zero Freitas.
the rights of reprographic reproduction of literary, visual and musical works, for example where a book or sheet music are copied using a photocopier; related rights, for example the rights of performers and producers in recorded music when used in broadcasts [2] Different creative sectors often use their sector-specific terms, including: [7]
Over his lifetime, Bussard amassed a collection of between 15,000 and 25,000 records, primarily of American folk, gospel, jazz, and blues from the 1920s and 1930s. [1] From 1956 until 1970, Bussard ran the last 78 rpm record label, Fonotone, which was dedicated to the release of new recordings of old-time music.
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David L. Fulton is a private collector of Cremonese instruments. [1] Born in 1944, he grew up in Eugene, Oregon, playing the violin from an early age. He studied mathematics at the University of Chicago, and was concertmaster of the University of Chicago Orchestra while he was there.