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Through the study of history, people are imbued with a particular cultural identity; therefore, by negatively revising history, the negationist can craft a specific, ideological identity. Because historians are credited as people who single-mindedly pursue truth, by way of fact, negationist historians capitalize on the historian's professional ...
In literary and historical analysis, presentism is a term for the introduction of present-day ideas and perspectives into depictions or interpretations of the past. Some modern historians seek to avoid presentism in their work because they consider it a form of cultural bias, and believe it creates a distorted understanding of their subject matter. [1]
People accused of witchcraft were not burned at the stake during the Salem witch trials. Of the accused, nineteen people convicted of witchcraft were executed by hanging, at least five died in prison, and one man was pressed to death by stones while trying to extract a confession from him. [52] George Washington did not have wooden teeth.
After completing his education, Du Bois helped found the NAACP, promoted Pan-African unity and wrote the groundbreaking collection of essays “The Souls of Black Folk.” Where can I learn more ...
In the field of military history, historians sometimes use what is known as the "fog of war technique" in hopes of avoiding the historian's fallacy. In this approach, the actions and decisions of the historical subject (such as a military commander) are evaluated primarily on the basis of what that person knew at the time, and not on future ...
In historiography, historical revisionism is the reinterpretation of a historical account. [1] It usually involves challenging the orthodox (established, accepted or traditional) scholarly views or narratives regarding a historical event, timespan, or phenomenon by introducing contrary evidence or reinterpreting the motivations and decisions of the people involved.
Van Sertima also discussed African scientific contributions in an essay for the volume African Renaissance, published in 1999 (he had first published the essay in 1983). [12] This was a record of the conference held in Johannesburg , South Africa, in September 1998 on the theme of the African Renaissance .
From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.