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  2. Fleuron (typography) - Wikipedia

    en.wikipedia.org/wiki/Fleuron_(typography)

    Τypographic ornament in ancient city of Kamiros in Rhodes island, Greece. Flower decorations are among the oldest typographic ornaments. A fleuron can also be used to fill the white space that results from the indentation of the first line of a paragraph, [4] on a line by itself to divide paragraphs in a highly stylized way, to divide lists, or for pure ornamentation. [5]

  3. Letter cutting - Wikipedia

    en.wikipedia.org/wiki/Letter_cutting

    Letter cutting is a form of inscriptional architectural lettering closely related to monumental masonry and stone carving, often practised by artists, sculptors, and typeface designers. Rather than traditional stone carving, where images and symbols are the dominant features, in letter cutting the unique skill is "meticulous setting out and ...

  4. Clarendon (typeface) - Wikipedia

    en.wikipedia.org/wiki/Clarendon_(typeface)

    A variety of Clarendon revivals have been made since the original design, often adapting the design to different widths and weights. The original Clarendon design, a quite condensed design, did not feature an italic, and many early Clarendon designs, such as wood type headline faces, have capitals only with no lower-case letters, leaving many options for individual adaptation.

  5. Lettering - Wikipedia

    en.wikipedia.org/wiki/Lettering

    Brush lettering practice by artist Emmanuel Sevilla. In the past, almost all decorative lettering other than that on paper was created as custom or hand-painted lettering. The use of fonts in place of lettering has increased due to new printing methods, phototypesetting, and digital typesetting, which allow fonts to be printed at any desired size.

  6. Baskerville - Wikipedia

    en.wikipedia.org/wiki/Baskerville

    Baskerville's styles of type and printing, although initially unpopular in Britain, proved influential for a brief transitional period in the late eighteenth and early nineteenth century, with printers and type designers such as Joseph Fry, Isaac Moore who may have been Fry's punchcutter, and Wilson of Glasgow.

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  8. Script typeface - Wikipedia

    en.wikipedia.org/wiki/Script_typeface

    This allows fonts to have a large character set, increasing the sophistication of design possible, and contextual insertion, in which characters that match one another are inserted into a document automatically, so fonts can convincingly mimic handwriting without the user having to choose the correct substitute characters manually. [12]

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